legacy. If you've seen the movie, then you know this, so why bother even going into the messages this movie is sending out? There are some serious aspects to it, and then there aren't, which is the same with all movies, but overall, this is an Action/Comedy/Drama Wow, that sounds weird which is the shortest title you can give it. I suggest this movie to everyone who is willing to watch an original story that gives you everything you could want in a film, perhaps not too recommended for a very serious crowd... If you can't deal with that, just leave it alone, because going against this movie is just plain pointless and you should get a new hobby. Seriously.... This movie ends on a fun note, and has something for everyone. Do yourself a favor and see it :

off on the insanity plea or ever wondered what goes on behind the curtain of the justice system. Just see it.

to DeNiro's somewhat flamboyant character. The men who play the killers are INCREDIBLE actors who play sociopaths at their finest. Kelsey Grammar does a wonderful job as the sleazeball journalist who will do anything for a good story. While I didn't like his character, I loved to hate him, which is always a good thing.There is a lot of graphic violence in this movie, which didn't bother me but may bother some. It is definitely not a movie for kids. The only problem I had with this film was it's cliched message. I mean, we already know that the media is sleazy, but what makes "15 Days" special is the way in which Grammar gets a hold of his sleazy footage. That, to me, was unique.If you're a DeNiro fan don't miss this one.

see a great action thriller of recent time, this is it, by the master Robert Deniro, forget his Horror Trips Godsend, HideNSeek try this!

action flick; it is occupied with twists and unconventional surprises in which many producers would stay far away. "Fifteen Minutes" is a movie with guts and impact, and for the first time in a long time, the theater audience where I screened the film gave it a recognizable applause as the closing credits appeared. "Fifteen Minutes" is complete with big Hollywood names, like Robert De Niro, Edward Burns, Kelsey Grammer, and even includes cameos from several distinguishable actors: Charlize Theron has a neat little appearance as a recruiter for hookers, and David Alan Grier shows up as a pedestrian causing trouble in New York City. But the movie actually centers on two Eastern European immigrants named Emil Slovak Karel Roden , and Oleg Razgul Oleg Taktarov . They have come to the United States looking for a man who owes them a large sum of money, but eventually discover opportunities for fame. They kill their debtors and capture the murders on a stolen home video camera. There is, of course, an illegal immigrant who witnessed the crime, Daphne Vera Farmiga , who is now wary and on the run. Enter homicide detective Eddie Flemming De Niro , a local celebrity, and arson investigator Jordy Warsaw Burns , who could not care less about the media. They form a team to undercover what appears to be a fatal fire accident, but soon discover the scene was the location of a brutal murder. Enter a subplot where a veteran detective informs a novice of the same sort new ways to explore his profession. The story then takes an unexpected turn of events where the criminal's intentions explode into sadistic atrocity: Oleg and Emil plan to sell the video of their murders to a TV network anchor Kelsey Grammer for a million dollars. They intend to beat the charges with an insanity plea, also stating that they were abused as children. Why would the two immigrants want to do such a thing? To achieve fame-even if it is of a notorious nature. We wait patiently for the story to take off with the setup, but it stays with two separate narratives for quite sometime. When the narratives do cross its obvious this is not your typical, run-of-the-mill action picture, but an insightful picture that says something about, among many other concepts, the power and influence of the media. The madman fascinated with video taping is "yesterday's news" already seen in 1999's "American Beauty." It does not have the same impact in this film, however, mostly because here it is more of a sadistic obsession never truly understood, rather than the passion and exploration in the multiple Academy Award winner. It is fun watching the incidences photographed with the home video camera; there are some cool special effects that add a nice touch to the scenes. Robert De Niro gives another suave hotshot performance; it is coming to the point where his talent is more effective in shtick comedies like "Analyzed This." Regardless, the veteran actor grabs us by the collar and yanks with no regrets and a thought-provoking, determined attitude. The screenplay provides his character with an effective soft side through a romance with his girlfriend. Edward Burns "Saving Private Ryan" is never really bad in a movie, but his personality feels too resigned and modest to be in these violent dramas. He has a few understood moments, and often his performance fits his character accordingly, but a braver, more aggressive actor may have fit the part better. Surprisingly, the best performances in "Fifteen Minutes" come from the villains, Oleg Taktarov and Karel Roden. Both are very clever in their roles, which are also exceedingly well written: when the two encounter a visit with a local prostitute, the scene does not result in mechanical sex, but in violent misunderstanding that furthers the complications of the plot. Both actors are convincing and unpredictable. Many early critics have complained about the film's implausibility, but Taktarov and Roden portray their characters with such mean-spirited brutality and complex emotions, I believed every step they took. John Herzfeld is the film's director. His last project, "2 Days in the Valley," was quite a bit different from "Fifteen Minutes." There are certain aspects of his filmmaking style that carry over, but for the most part this film stands on its own from his previous achievements. Herzfeld constructs "Fifteen Minutes" with complexity and thought. It is a brave, courageous movie, deserving of controversy but will likely pass as a theme-orientated action picture. I think most audiences will appreciate the production for what it is and how it informs us on such distressing issues. When we walk out of the theater, we get a sense that we trust in our government's legal system even less than we did before watching the movie.

roles. Even though I do have to agree with this concept that my colleagues don't I wish have criticized, I should say to them to `just wait one minute, or fifteen for that matter' and do not take it so seriously. Why? Because the film does entertain. I think that critics should just leave it at. By the way, the film is about a homicide detective and an arson investigator who hunt down some eastern european psychos who film their crimes on video. Robert Deniro, who plays the homicide detective, is more low key in this one; and Eddie Burns cinematic presence adds fuel to the fire as the arson investigator. I really do have to say that I enjoyed mostly every minute in `15 Minutes' even though most critics don't second my opinion.**** Good

are many in the plot and brace yourself for the violence, the film works. It's virtually nonstop action, violence, noise going at you full blast. The acting--well, who cares? This movie is not an acting movie. DeNiro walks through his role as a celebrity cop and Edward Burns looks very handsome but utterly miserable all through the film. Also the two psychos tend to overdo it too much. And the constant switching between video and film stock gets tiresome real quick. But if it's a loud, noisy, stupid, fun in a way action film you're looking for...this is it!