three-dimensional. They all change, in one way or another, by the end of the film. Whether or not things remain the way they are long after this film ends is unknown, and that adds to the rama. The most important scene in this film is when the characters, as a group, all open up to one-another and describe the hell that their daily school routines are in a personal fashion. Nobody likes the role they must inevitably portray in the high-school scene, but the fact is, it is often inescapable. This film gives the viewer some insight into how the other people around them might have felt during that particular time in their lives.Each of the main characters in this film shines, but Judd Nelson John Bender and Emilio Estevez Andrew Clark rise above the rest. Simply put, these two actors each put their heart and soul into their respective characters, and it shows.At the end of the film, the viewer is left to make their own conclusions as to how things will carry forth. And I'm sure that most people will do that. This is one movie that left me feeling both happy and sad for each of the characters, and it isn't easy to make me care about a film in that way. Even if you aren't a fan of the 80's genre, this isn't one you would want to miss.My Rating: 10/10

Nelson, isn't meant to be cool. He is a jerk, and if older viewers took the time to pay attention to the film, they would perhaps realize that the point of the film, from the very beginning, is to establish that this so-called jerk is only acting like one to get attention. Because he is obviously shunned at home. He's an outcast. And unlike other films that refuse to establish their characters, "The Breakfast Club" introduces him as a jerk, and proceeds to explain why he is that way. This is what makes this movie tick.I knew a kid like Bender Nelson once when I was in school, and generations of kids continue to go through the exact same things. Once they reach a certain age, though, it seems as though all adults suddenly break away from the teenage emotions. John Hughes never did, I guess. Although he certainly tapped into adult behavior with his best film, "Planes, Trains and Automobiles" [1987], a welcome introduction to Hughes' adult comedy, hinted at in "Vacation" [1981], which he wrote. The film opens with a quote from David Bowie that just about sums the entire film up. We are introduced to five kids spending eight hours of detention at Shermer High School in Illinois. They are: Andrew the Jock Emilio Estevez , Brian the Nerd Anthony Michael Hall , Bender the Criminal Judd Nelson , Claire the Princess Molly Ringwald , and Allison the Basketcase Ally Sheedy . They are looked over by the school principal Paul Gleason , who assigns them the task of writing a report on why they are here in detention and what they did to get there.To say that the outcome is predictable is an understatement. We know who's going to get together with whom from the beginning, but getting there's all the fun. Watching the characters come to appreciate their differences and learn that they're more than just billboard examples of angry teenagers is more than half the fun.Teenagers are not as unaware of who they are as some people always think. John Hughes knew this, and deliberately tapped into this state of mind as no other director has done before -- or since, for that matter. Sure, they've tried. Hughes' "Ferris Bueller's Day Off" was just about the only other film that tried to show teenagers as something more than stupid hormone-crazy rambunctious adolescents, but as young adults who were trying to grow up fast -- the scene where Ferris and Sloane pretend their water is wine is good evidence of this. Hughes' teenage characters were not the clichés they are now when "The Breakfast Club" came out in 1985 -- this film has proved to be the steeple of teen clichés many of them poked fun at in "Not Another Teen Movie," which features a cameo by Ringwald . Think of "2001" or "Halloween" -- the drifting spaceships and psycho killers chasing sex-hungry teenagers is now routine, but it wasn't then. The Jock, The Nerd, The Criminal, The Princess, and The Basketcase weren't clichéd back then, either -- although Hughes purposely chose these references to the characters in order to let Brian, The Nerd, say that they were more than just that in the beginning of the film when he's reading his essay in voice-over narrative.I seriously doubt whether this film is any better than the work of Coppola, Cortiz, Kurosawa, Scorsese, Welles, et al. If I were assembling a list of "the greatest movies ever made," I'd never include this.But sometimes the greatest films aren't just the films that are technically perfect, but those that connect to you on one level or another. I know that my all-time favorite comedy "Planes, Trains and Automobiles" may not be considered better than something such as "Some Like it Hot," but that film doesn't affect me the same way. I either don't connect with the story, the characters, the feelings, or I just don't appreciate the film as a whole. I appreciate "The Breakfast Club" in many ways, and for that reason it will always be considered one of my favorite films. Even if it is kinda sappy.

me?". This movie helps point out what the problems were, everyone has their own problems and pressures and take it out on other people. While the kid who pulled a knife on you might go home and have his father beat him almost to death. The nerd you knocked the books out of their hands, might go home to parents who are pressuring them to get the best grades they can and put their social life behind. It continues and high school is always going to be like that, sorry to those who are still in school."What will happen?" "You mean on Monday?" They whole time during that monologue between the kids at the end, I kept on thinking, and they'll go back to their regular lives afterwards.I will always recommend "The Breakfast Club", because you will have a true taste of what high school is like.9/10

focus of the film is clear.An important character to consider that is often overlooked is the assistant principal, Richard Vernon. Throughout the film he is portrayed as a villain of sorts, out to get the group of students being punished that particular Saturday. Completely unable to relate to his students or any of their situations, he only sees what is on the surface. It is pointed out by the janitor later on in the plot that while Vernon assumes the students are the problem in his lack of understanding the new generation, he never bothered to look closer and realize it was he who had changed. This plays a major role in the overall theme of the movie, which is the inability to see past the surface of a problem or character and judge solely by a look.A pivotal scene for the five students locked away in detention is the group discussion they have about why they came to Saturday detention. Although it is obvious that it is pivotal because they are opening up, but it is also pivotal in the mood of the film as well. Before this scene, many, if not all, of the interactions between the characters were cold and isolated, making the movie seem tense. As the characters begin to open up, the feel of the movie transitions to an easier, lighthearted feel that pulls the audience in to the escapades that begin to occur. Not only has it changed the relationship between the characters, but it changes the mood of the rest of the movie.The lunches that each character eats are representative of each of their respective parents. Claire eats a fancier meal than the rest, Andy's food is loaded with carbohydrates and calories, Brian's lunch consists of a crust-less peanut butter and jelly sandwich, Allison's bologna which she discards to replace with candy , and Bender, who has no lunch. Each meal represents the parenting style of each teenager, such as Allison's discarding of part of her sandwich signifies the way they ignore her, giving her the freedom to do whatever she wants. The writing in this movie is realistic and plausible, seeing as it is an everyday occurrence for us to judge others solely by what is on the outside. The slow reveal of the inner struggles and personal demons of each of the characters is realistic, coming slowly and in pieces, each filled with emotion. It is obvious that many of the characters do not wish to open up, which is very typical of someone dealing with their own issues. The inserted lines of dry and sarcastic humor lighten the mood when it is necessary, just as some situations require and easily remind us that they still are, in fact, teenagers. The writing is very symbolic of the things that can happen to every day high school students, although perhaps not as extreme, it serves as a guide for those moments that we all have had some sort of experience with.An aspect of grouping in this movie is shown by the colors of the characters. Red for Bender, blue for Andy, pink for Claire, green for Brian, and black for Allison. These colors play into the stereotypes that they are portraying, further signifying the outer appearance contradiction that the characters struggle with. A smaller grouping is the group of teenagers, and the adults. The stark contrast between the two age groups, both physically separated and emotionally, magnifies the generation gap and the lack of ability to understand one another.The aspect of judgment plays a large role, especially in the beginning where each character has made specific judgments against their peers. Applying that to the whole, judgment becomes the main theme that motivates them as characters, as well as how easily judgments can be changed. In watching this, I see media messages that have changed over the years. The message that this film delivers is one that can be forgotten easily, but this movie is a nostalgic reminder to never judge a book by its cover.John Hughes was the king of successful movies in the 1980's, with this movie being at the forefront of his laundry list of hit films. Seeing as how many movies were based off this movie and others like it, "The Breakfast Club" is a teen drama that has become the stereotypical teen drama. The storytelling techniques, such as the ability to show the progression of these characters in a single day, and revealing character complexity is something seen even recently, in shows like "Community."The storytelling technique used by this movie was a unique choice, one that is not often seen. It is easy to forget that sometimes and entire story can happen in just a matter of hours in your life, not over a long span of time. This technique is adding to my ability to comprehend the realistic nature of cinematic storytelling by proving that you do not need to show weeks or month of passing time to have a story with impact."The Breakfast Club" uses its title to emphasize the reason why it is so important not to judge something strictly by what you see.

was really funny and I was really impressed by it. It's certainly better than most recent teen films such as She's All That. One thing I thought was a bit crap was Ally Sheedys makeover at the end. It seems a bit shallow and like in the end she decided not to be herself and conform. Aside from that though I loved it and gave it a 9/10.

custodian. This is a don't miss and is fun to watch over and over again. Spit that gum out and remember to ask for a hall pass.

characters are high school stereotypes, and I think there's one of them that each of us relate to. There's the jock, the rebel, the psycho, the prom-queen and the geek, and they all think they're so different from each other. At first, they argue and fight during their detention. Eventually, though, they realise that they're not so different, and actually have a shared hatred – the authority which is keeping them in detention. We see them rebel together, get high and reveal their darkest secrets. It manages to be charming and funny while never reaching cliché. Where Hughes is a master is character development, and he shows us how the characters are bonding and developing without being too preachy.The script and direction is very well managed, with John Hughes tapping into the teenage mentality perfectly. What's odd is how timeless the film is, with little having changed in school character-types over almost 30 years. The acting is also great, with Judd Nelson and Anthony Michael Hall giving especially strong performances. The film's focus on teenagers also gives a message about the problems of adults, and the one major adult character in the film, played by Paul Gleason, is also one of my favourites. He is written really well as the antagonistic vice- principal, and Hughes succeeds well in allowing the teens to usurp him, but not too easily.The one main flaw that the film has is in its single setting. It works for the majority, but there are definitely times where it lags and feels trapped by the confines that it has set itself. There is not much action in some parts, and the dialogue doesn't always carry it through. That said, it's funny and enjoyable, and an important piece of film for any adolescent to see. There's something for all of us to learn in the adventures of "The Breakfast Club".