Inception [Hindi](in Dubbed Hollywood Movies) Inception [Hindi] (2010) - Download Movie for mobile in best quality 3gp and mp4 format. Also stream Inception [Hindi] on your mobile, tablets and ipads
Plot: Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of… Runtime: 148 min Release Date: 16 Jul 2010
Insanely Brilliant ! Nolan has outdone himself !! (by naman-avastol)
What is the most resilient parasite? An Idea! Yes, Nolan has created something with his unbelievably, incredibly and god- gifted mind which will blow the minds of the audience away. The world premiere of the movie, directed by Hollywood's most inventive dreamers, was shown in London and has already got top notch reviews worldwide and has scored maximum points! Now the question arises what the movie has that it deserve all this?Dom Cobb Di Caprio is an extractor who is paid to invade the dreams of various business tycoons and steal their top secret ideas. Cobb robs forcefully the psyche <more>
with practiced skill, though he's increasingly haunted by the memory of his late wife, Mal Marion Cotillard , who has a nasty habit of showing up in his subconscious and wreaking havoc on his missions. Cobb had been involved so much in his heist work that he had lost his love!But then, as fate had decided, a wealthy business man Saito Ken Watanabe hands over the responsibility of dissolving the empire of his business rival Robert Fischer Jr. Cillian Murphy . But this time his job was not to steal the idea but to plant a new one: 'Inception'Then what happens is the classic heist movie tradition. To carry out the the task, Cobb's 'brainiac' specialists team up again with him, Arthur Joseph Gordon-Levitt , his longtime organizer; Tom Hardy Eames , a "forger" who can shapeshift at will; and Yusuf Dileep Rao , a powerful sedative supplier. There is only one word to describe the cinematography, the set designs and the special effects, and that is Exceptional! You don't just watch the scenes happening, you feel them. The movie is a real thrill ride. The action scenes are well picturised and the music by Hans Zimmer is electronically haunting. Never, in the runtime of the movie, you will get a chance to move your eyes from the screen to any other object.Leonardo, who is still popularly known for Jack Dawson played by him in Titanic, should be relieved as his role as Dom Cobb will be remembered forever. His performance may or may not fetch him an Oscar but it will be his finest performance till date. The supporting cast too did an extraordinary work. Christopher Nolan, ah! what a man he is. His work is nothing less than a masterpiece and he deserves all the awards in the 'Best Director' category. If "Inception" is a metaphysical puzzle, it's also a metaphorical one: It's hard not to draw connections between Cobb's dream-weaving and Nolan's film making, intended to seduce us, mess with our heads and leave an ever-lasting impression.To conclude, I would just say before your life ends, do yourself a favor by experiencing this exceptionally lucid classic created by Nolan! My Rating: 10/10Thanks & Regards
Usually I try to be careful with over hyping a film, or setting the expectations too high, as film geeks all are guilty for, however for Christopher Nolan's Inception, this really is not possible.This is possibly one of the only perfect films I have ever seen. It is absolutely confident in every way, something which is extremely refreshing, even more so than Avatar. Christopher Nolan gets some slack for making great to look at but ultimately heartless affairs, which I for one do not agree with, however I do not think anyone can argue that here. The emotional aspect of this film not only <more>
ties it all together but is really the centre of this film, it is the focus. I do not want to over simplify the film, by simply calling it Kubrick doing Bond, or Gondry on a huge budget, because I am sure it will be called that but it is far more than that, it is something I do not think Kubrick could have ever made. It is pure Nolan, and pure greatness.I hate writing something which is pure fan-boy gushing, but its really difficult here. I did not find a thing I did not like about it, I am sure if maybe I saw it a second time, maybe I would find something about it I didn't like, but not the first time. The way it is cut, means that there is always action on screen, if not, then the visuals are interesting enough to keep your eyes glued.The final hour of the film, is possibly one of the most complicated action sequences put on film. You have to constantly be paying attention to remember all of the layers of what is happening. Without spoiling anything, all I have to say is that is what this film is about, that is what makes this film so great, layers. Once you have seen this you will now what I am talking about.All of the actors are fantastic too, Di Caprio is the stand out here. Yes, this is probably due to the fact he is the star and given all of the emotional weight, but he handles it perfectly, similarly to his performance in Shutter Island. Ellen Page, whom I usually hate, gives a great performance here. Tom Hardy gives a break out performance here, he is quite the bad ass.I hope audiences are ready for a film like this, a pure auteur driven film which does not sacrifice a single frame for the studio. I would hope this film will change Hollywood, as it is 100 percent the directors vision yet it is definitely a marketable film, much like District 9, yet I do not think it will. I cannot recommend this film anymore than I have, I just have to say everyone and anyone should see it. Sorry about all the gushing, it is just so hard not too.If you liked this review check out my new film blog: http://thedeletedscene.wordpress.com
In a Decade, "Inception" May Be A Religion (by D_Burke)
Films about dreams and the subconscious are usually not very straightforward and almost always weird. "Inception" is no exception to that rule, but like its cinematic predecessors who have explored the contrast between and the questions of what is real and what is illusion i.e. "The Matrix" 1999 , "The Cell" 2000 , "Abre Los Ojos" 1997 & its American remake "Vanilla Sky" 2001 , you really can't look away, nor should you."Inception" is an excellent and breathtaking movie that may be one of the only films released so far <more>
during the Summer of 2010 that lives up to its hype. It is a nearly perfect and highly original film that holds your attention until the credits roll. The less you know about this movie going in, the more you will be entranced by seeing it.Leonardo DiCaprio plays Dom Cobb, a world class criminal who, with the help of a team of sleep experts, works his way into people's subconscious and steals what people value most: ideas directly from their minds. In his last assignment to possibly clear his name, he is assigned not to steal an idea from someone, but to plant one inside that person's mind. The difficulty comes when certain people are trained to block their ideas from being taken.That plot summary only covers the basics of this pretty complicated story, but to describe every plot detail would take away the magic of this film you must see yourself to believe. DiCaprio is good in his role, but unlike many other films he has starred in, this is perhaps his only role where his character alone does not carry the weight of the movie on his shoulders or share it equally with one other co-star. Instead, this great ensemble cast teams together to make this movie work, just as their characters collaborate to pull off such a unique heist. Joseph Gordon-Levitt, Ellen Page, and Tom Hardy are especially good in their roles.The special effects in this film were also very good, which is amazing considering their simplicity compared to the "Matrix" movies. There are slow-motion shots, but no impossible kung fu fighting sequences. It's especially interesting when the film gets into the architecture of certain dreams, and impossible sequences are filmed in a way I've never seen other than in drawings.However, the special effects would mean nothing if the story wasn't good. For this reason, even something as simple as a spinning top holds your attention in a way you would never think it would when seeing it in this film. The credit here can be given to writer and director Christopher Nolan, who has not made a bad film yet. There are many twists and turns in this film, but Nolan never loses his focus in the process of telling the story. If Nolan does not get nominated for Best Director and/or Best Original Screenplay next Oscar season, there is something terribly wrong with the Academy.That being said, there was still a lot about this film I still don't get, and may require multiple viewings to better understand. However, some of the best films I've seen are confusing at first. "2001: A Space Odyssey" 1968 is a film I've seen a couple of times, and still don't understand completely. It still has a major following, though, as I'm positive this movie will. It's an incredibly entertaining movie, but it also makes you think and continues to do so after you leave the theater.
I'd like to keep my review rather to the point.Pros: 1. its theme - dream is a fascinating topic to say the least. There are a lot of unknowns in dreamworld. 2. its plot - there are several sweet twists and unpredictable turns. 3. its edgy drive - although you know what's coming next, still you feel jumpy about it when it does.4. its rapid storyline - the story moves fast from one scene to another, making the viewers feel like on a roller coaster ride. At times, it's hard to keep up, even after watching it several times. 5. its sophistication - there is a lot of information to <more>
remember and digest. This is the very thing the modern moviegoers are after, I believe. 6. its realism - okay, pun intended. The movie explains or at least tries to the ins and outs of what dream is about and how it functions, some of which are very familiar with and dear to us.Cons: 1. its poor character development - although the acting was convincing enough there was not enough of character development. I wonder how many people really felt connected to the main character s after watching the movie. Yes, the movie talks about emotional struggles but it was more of an action film than anything else, if you ask me. 2. too many distractions - I found that the movie had more characters than necessary. They may play certain roles in the plot but they seemed more of distractions than anything else. I wish the movie was more focused. 3. a bit preachy - I noticed that the characters would explain things about dreamworld and then the exact things happen later in the movie. I'm afraid, Inception overused this trick. In conclusion, its theme is fascinating but its delivery is not without room for improvement. I highly recommend you to go and read Somewhere carnal over 40 winks, if you dig this kind of flicks. Cheers!
A Potpourri of Vestiges Review: Buñuel meets Kubrick in Nolan's most ambitious venture, till date (by murtaza_mma)
Surrealism can appear to be ineffably bizarre, or inquisitively titillating, depending purely on the viewer's intellect. Though the realm of surrealism is highly nebulous and complex, but even a slight attempt at improvisation can sometimes go awry and open a Pandora's Box, making the task highly improbable and nigh impossible. This facet of reality may pose a handicap to the most gifted of the directors, but not to the genius of Christopher Nolan, who not only dabbles with the concept of surrealism, but also ingeniously blends it with the elements of Science Fiction in his latest <more>
wonder named Inception. Nolan created a niche for himself a decade back by unleashing a monster of a movie called Memento. He further substantiated his status by conjuring movies like Insomnia, The Prestige, Batman Begins, and The Dark Knight. His unremitting desire for innovation and uncanny craving to foray into the unexplored realms of imagination deservedly earned him an auteur tag, which gave him the carte blanche that a story-teller like Nolan desperately needs. It's highly apparent that Nolan takes every possible advantage of this liberty while filming Inception. Inception is not only dreamlike, but is a dream in itself and is superior to any other thing conceived on the silver screen. With its entwined layers, the movie for the most part serves as an unfathomable riddle and makes multiple viewing extremely essential. It incredibly does extremely well on both the humanistic as well as the technical fronts. In fact, the balance between human emotions and the elements of Science Fiction is so adequate that it's impossible to separate them. The movie is about a futuristic world where the human mind can be intercepted through dream invasion. Cobb is an expert in the art of extracting information stealing valuable secrets from deep within the subconscious in the dream state. His proficiency in extraction is marred by a turmoil that begins with his wife's untimely death. He is forced to live the life of a fugitive away from his children. His only chance for redemption lies with a Japanese tycoon named Saitu, who wants him to do an inception planting information into someone's mind . In order to accomplish this unprecedented task, Cobb and his team must overcome a labyrinth of unforeseeable challenges, where even a slight miss could trap them in a perpetual limbo. Any further revelation would be remissness on my part as the plot is filled with such intricacies that even expatiation would be incapable of justifying its profundity. Leonardo Dicaprio gives a solid performance in the lead role, following his memorable performance in Shutter Island. He has brilliantly depicted the complexities and limitations of Cobb's enigmatic character highlighting his pain and mental trauma. Marion Cotillard is ravishingly scintillating as Cobb's whimsical wife, Mal. The rest of the cast has given a thorough performance with special mention of Ken Watanabe, Ellen Page and Joseph Gordon-Levitt.Inception is incredibly brilliant as a movie and is a breakthrough in contemporary cinema. Nolan's creativity and his unparalleled execution definitely make it an object of great cachet, but whether it would become Buñuel's 'Un chien andalou' or Kubrick's '2001: A Space Odyssey' and serve as a prototype for the movies to come is for the time to decide. Irrespectively, Inception is sine qua non not only for an aficionado, but also for the average viewer, who is willing to delve deep enough to savour the delight.PS: One has to imagine it to believe it. 9/10http://www.apotpourriofvestiges.com/
Have you ever felt like waking up from a dream to see its continuation? This idea disturbs Christopher Nolan ever since he was 16. Already in the future, as he developed this idea in his head, he was visited by another captivating feeling. And what if it were possible to study and manage the place of sleep? Now the British cinematographer is 39 years old, and the world has finally come to the opportunity to get to know what Nolan was so stunning, fast and loud all these years. "The Beginning" is a sci-fi thriller about the architecture of the mind. If for some reason this has not <more>
yet become a reason for the strongest intrigue, it is never too late to recreate it.Philosophy of Nolan. It is simple and at the same time terrifyingly exceptional. Making your environment think like you. To share all the events happening together. Experiencing the same difficulties. Strive to hold together for the hands to achieve the impossible. Making unusual things happen in the usual way. The topic can be continued, and its brief description will remain unchanged. Any person with whom you work, whether an actor or someone else, will always be completely imbued with the material that you yourself wrote, if this material is perceived by every person at the deepest personal level.Fans of the series "LOST" could have done the same thing with "Star" as they did with every series of the popular, now in the old days, series. Probably, for a reason, at the end of the day, a percentage of people will be drawn, what from wild ecstasy after watching will obviously lose consciousness in the most positive sense? The name of the film company Nolan "Syncopy" from the ancient Greek era means the medical term of fainting, loss of consciousness. I'm not talking about plot similarities with the term. And the logo of his film company, whose foundation happened in the year 99, has absolutely identical design as the "Start" screensaver. In the picture, the characters Paige and DiCaprio get acquainted in the same place where Nolan once met his future wife and constant working partner. And this is not all "Easter eggs". From the skyscrapers of Tokyo to the snowy peaks of Calgary, from the exoticism of the Moroccan Tangier to the picturesque streets of Paris, from historic London to modern-day Los Angeles. The scale that Nolan saw from the emotional journey of his painting could not fit in a modest framework, so the shooting process affected 4 continents and 6 so different countries.To make the dreams look as real as possible, the director once again followed his eternal principle and tried to maximally abandon computer graphics. Whether it's a revolving corridor 30 meters long built in Cardington, or the busiest street in Paris, mass explosions are caused by nothing else than nitrogen under high pressure. Impressive buildings in the Canadian Calgary provided work for thousands of local residents for six months. Their efforts could not justify themselves fully due to the fact that on approaching the crew to the place of direct filming, for a long time there was not much needed snow. He "fell out", creating for the creators is another problem due to the fact that did not stop a very long period. Arriving in early August in Morocco, a big unexpected success for the creators was the acquaintance with the local team, with whose help Hollywood partially took off more than one blockbuster in the territory of this African country. And the street traffic of Los Angeles was cleaned by the railroad train, behind the wheel of which was everyone's favorite Jim Wilkie. The same guy who ran an eighteen wheeled wagon in the "Dark Knight". This is only a small part of what the "Beginning" shakes.DiCaprio amazes us with one of the most difficult characters of recent times, which is largely due to the care and personal affection that Leo showed to Cobb. Together with Marion Cotillard, they create a screen couple capable of enveloping the soul of any viewer. I've never seen anything like it and close. The talented Hollywood youth in the faces of Page and Gordon-Levitt demonstrate a full understanding of the color range and levels of brightness of the characters assigned to them. Tom Hardy, performing the imitator, brought to the picture a significant share of charisma. And Killian Murphy finally embodied an image that has long been very curious to him. In May 2009, Nolan offered him absolutely any role, and he chose the "Client". And Ken Watanabe ... As in the case with the other images, we all will long try to disassemble this character, which is a very important and charismatic question for us. Each of his actors, Nolan asked not to tell anything about the plot, even to their families.Quite symbolic is the fact of the presence in the film of the song of Edith Piaf. After all, for the image of Edith Piaf in the film "Life in pink" in 2007, Marion Cotillard received a statuette of Oscar for Best Actress. Hans Zimmer paid close attention to the creation of the track, not so much to the stunning visual component of the picture, but to the emotional world of the main characters. It's always evident when Hans is captured by the storyline of the picture for which he is going to work, and "Beginning" is no exception. Filling the rich sensory undercurrent on the screen with a wonderful musical series, Hans did not leave behind his own imagination, allowing himself to go beyond the usual framework in the hope of looking where they would lead him. From here came the guitar, played on which none other than Johnny Marr of the band "The Smiths". For any of us, there is a difference in choice, when deciding whether it is worth chasing us for a happy moment or total happiness as such? Also here. Despite the speed with which you develop on the screen a completely different action - you want to keep up with it. Our feelings are awakened in the most active ways because of the resource that causes in us a similar instinct to comprehension and further awareness. This tape is a symbol of the whole structure of our everyday perception of what surrounds us in the material and immaterial world. A symbol that is itself the architect of a bridge connecting two opposite sides.Incredible and colossal, difficult-procedural result of the most outstanding artistic production in all spheres of film production. A movie that will never leave your mind, demanding from you its regular revision. The movie, which you will discover with each new show for yourself in a new way. A mad, multi-level, impressive plot production, attached to the deepest actor images. Infinitely rich semantic context and visual component. All this is a combination of the greatest cinematic experience that Nolan dragged through all these years. He would never have become a director of N1 in the modern world if he were not true, loving his family by a man. And this is the most important thing. That - with what all "Begins" ...A rare dream that survived so many years ...Film of the Decade.
Sci-fi perfection. A truly mesmerizing film. (by dvc5159)
I'm nearly at a loss for words. Just when you thought Christopher Nolan couldn't follow up to "The Dark Knight", he does it again, delivering another masterpiece, one with so much power and rich themes that has been lost from the box office for several years. Questioning illusions vs reality usually makes the film weird, but Nolan grips your attention like an iron claw that you just can't help watching and wondering what will happen next. That is a real powerful skill a director has. No wonder Warner Bros. put their trust in him, he is THAT good of a director, and <more>
over-hyping a Christopher Nolan film, no matter what the film is about, is always an understatement instead of an overestimate like MANY films before.Not since the eras of Stanley Kubrick, Andrei Tarkovsky and Alfred Hitchcock has there been a more brilliant director than Christopher Nolan. He is, undoubtedly, one of THE most brilliant and gifted Hollywood filmmakers in history. Filmmakers like him come but just once in a lifetime. He has the ability to seduce our eyes, ears and most importantly, mind, and then delivers what he intends to deliver in full blast. Rarely have blockbusters have the gall to deliver such amounts imagination and intelligence at the same time. And yes, it is similar to the excellent anime film "Paprika" in the whole "invading dreams" plot, but the similarities end there as Nolan brings the film to a whole different level.Visuals and intelligence rarely come together in movies at the same time, it's either all-visuals-no-smarts "G.I. Joe", "Transformers" or the exact opposite "Doubt", "Invictus" . In this film the excellently directed action sequences combined with immensely groundbreaking and jaw-dropping visual effects are combined smoothly with a heavy dose of intelligence and believability.Although having an ensemble cast and financed by a Hollywood giant studio Warner Bros , this film is a very personal film for Nolan, he wrote the film as well as directing it, and as you watch the film you get many glimpses of Nolan's perplexing, increasingly imaginative thoughts and dreams in the dialog that he writes and the plot that he sets up. Ideas have never felt more interesting and put to good use than in this film. This film is NOT for the popcorn muncher, rather it is a film for thinkers. Honestly I can't explain the plot for fear of spoiling the movie for you readers. Even the slightest hint will ruin the experience. The viewer will walk out of the cinema feeling dazed, confused and ultimately breathless. It's like a puzzle, both physically and mentally, and you have to pay attention throughout the film for the clues. However Nolan controls the spectacle of the film and is careful not to let it overwhelm the film's humanity, and this is where "Inception" shines. It is a very deep film that will have one thinking and asking questions for years to come. That's right, years.Once the film ends, you'll want to watch it again, for there's something new every time. This is a film that requires multiple viewing for someone to truly comprehend the film's ambiguous themes, and will be discussed by many in the future. This is an original film, no adaptation, no sequel/prequel, no remake/reboot, which is extremely refreshing having gone nearly three years of mostly unremarkable visual effects roadshows "Avatar" be damned .Of course, a film is not complete without the actors. Leo DiCaprio delivers an Oscar worthy performance, similar but better than his previous effort "Shutter Island". He shows glimpses of a flawed, grim, fragile man, who has knowledge about everything else but yet can't seem to come in grips with himself and his demons. Joseph Gordon-Levitt, Ellen Page, Tom Hardy, Ken Watanabe, Dileep Rao, Cillian Murphy, Tom Berenger, Michael Caine, Marion Cottilard, Pete Postlethwaite, Lukas Haas... Nolan really brings out the best in this unusual yet extremely talented group of supporting actors who make their roles their own.Nolan is of course, a master behind the camera, a real virtuoso when it comes to film. His direction is taut, focused, gripping, and extraordinarily fascinating. The detailed and complex original script is no surprise from Nolan, considering the fact that he turned Batman the superhero into pop-culture art two years ago "The Dark Knight" . The action sequences are unique, exciting and fresh, something absent from the cinema which has since been interested at things popping towards the screen and stuff blowing up every two milliseconds. The visual effects are awesome and imaginative, and best of all they do not bring down the movie's quality one bit, rather it makes the movie more fascinating to watch. The cinematography is absolutely, beautifully shot, so we can see the action and emotion in all their glory. Production design is top notch, with terrific design of sets and locations. Hans Zimmer's complementing music score is simply outstanding, and knowing the man, that's really all I have to say. Together all of these elements combine to deliver a mesmerizing movie experience like no other this year.Christopher Nolan has once again outdone himself. He truly is a gifted filmmaker, arguably the most imaginative in Hollywood today. And "Inception" can proudly stand alongside "Blade Runner" and "2001: A Space Odyssey" as science-fiction masterpieces that push the boundaries for movie making and become a different experience altogether.There are two types of films: the crowd-pleasing blockbuster and the intelligent indie/art film. Nolan has combined two of these tropes together into one exceptionally brilliant package, pulling off that rare, now nearly-extinct Movie Magic that has since been wiped off the planet by sequelitis and reboots. Movie of Summer 2010? Movie of 2010? Heck this is possibly the first masterpiece of the decade! Nolan is a genius and I applaud him for treating his audiences as intelligent people.Missing this film and not getting the film's point is a crime.Overall value: 9/10 Excellent
Nolan is careful never to let the scope of the film overwhelm the human element and this is a key reason Inception works as well as it does. The acting, from a great ensemble led by DiCaprio, is as good as it gets. In terms of sheer originality, ambition and achievement, Inception is the movie of the summer, the movie of the year and the movie of our dreams. world need directors like Nolan,Spielberg,Cameron, As with his previous movies, Nolan displays a knack for choosing actors who can best embody the characters in his films. While DiCaprio's role here may be reminiscent of that in his <more>
earlier Shutter Island, there's no question that he anchors the movie with a perfectly calibrated performance that is equal parts intense and heartfelt. The rest of the supporting characters fill out their roles just as vividly- Joseph Gordon-Levitt radiates confidence and suavity, Ellen Page displays suitable wit and grit, and in particular Marion Cotillard exudes both sultriness and danger in an edgy yet eventually heartbreaking performance.But "Inception" is Nolan's vision through and through- and in fact, a visionary director and a master filmmaker at that. Many years Nolan spent refining his screenplay, and it shows in the great detail and complexity that makes "Inception" both an intellectual and visceral enjoyment- just take the names of the various characters, each of which have a special significance. With "Inception", Nolan invites you to open your mind to possibilities- possibilities of alternate realities, of complexities beyond the conscious mind to grasp and most importantly, of the power of imagination. It is that rare gem of a film that is so multi-layered, so profound and so fascinating that you'll want to experience it again immediately after you've seen it- just so you can fully appreciate its genius.
"Take a leap of faith" - not hard to do here (by Quinoa1984)
I'm sure I'll revisit Inception, sooner rather than later. Christopher Nolan's film has its ambitions, oh sure to be sure. But when one looks at what he is really trying to accomplish here, it's to tell a story and with verve, originality or at least taking solid cinematic forms and archetypes and using them originally , and a point of view that is astonishing. I still have scenes and images, performances and moments, shots and details of the plot and a kick-ass final shot especially rolling around in my head, and I don't want them to go away. Even things about the film <more>
that I should find flawed, such as a little clunky exposition and some edits that go by lightning fast work because of what does count: we care about what happens to these characters, or at least Dom Cobb Leonardo DiCaprio , and whether or not they'll achieve this "mission" of putting an idea in someone's head.To explain all of the finer mechanics of the plot... just go to wikipedia, or IMDb's plot synopsis. I'll just say for here that the film takes its own creation of science-fiction variety seriously. And seriously enough to take jaded moviegoers of the cineplex variety along for the ride. It's kind of like a heist plot, though not really, in that "idea" thieves- people who use dreams, shared via inter-connecting tubes like the Matrix only more complex - are recruited by Saito Ken Watanabe , a big businessman of some sort to plant an idea in someone's head, or 'inception', which has not been done except for once when Cobb did it to a certain someone he won't mention why, for a big reveal in the last act, though not a twist . That's really what you need to know - that and Ariadne Ellen Page will act as the audience in a sense to keep exposition going... sometimes too much on a first viewing.And yet, for all of the characters standing around explaining things, which should be and is a big no-no in movies SHOW don't TELL, remember , it can work here because a it is such a complex concept, considering all of the calculations of time, as well as the 'rules' of sort, which are laid out so well that nothing can be too confusing for anyone, even if one wanted to, and b the acting is so good in doing it. There is genuine emotion as well, which is something that some of the so-so or negative reviews find is lacking here there are a handful out there if you'd believe it Nolan-heads . I say simply that if you don't find emotion during those scenes between DiCaprio and Marion Cotillard, who used such a one-dimensional character to her total advantage here and steals all of her scenes with a beautiful face and haunting delivery- then, well, maybe you got the wrong movie.Sure, there's lots of pyrotechnics and big gun battles, but they work for the sake of this story and the circumstances too. I was worried they wouldn't, that things might be too rigid in the sense of it being dreams, why are there all of these guns and violence and whatnot. But, for me, it ended up making much more sense, in a non-sensible "Hollywood Movie" way, watching it unfold within the rules. It is much more sci- fi-thriller than a David Lynch surrealist trip anyhow, and on Nolan's terms he bases his own sense of lucid dream logic. I also really liked how the stakes were so high for the characters in dreams: if you die in a dream, for example, what if you don't wake up, but end up in a kind of dream limbo, or something bizarre like that? How do these levels affect you if you're injured or dying? This is not as simplified as in the Matrix, albeit with less 'tells' than showing it happen. Aw hell, who cares? This is creative summer entertainment on one hand, and a brainy-emotionally-psychologically engaging story with a melancholy core. When it gets thrilling, it thrills hallway fight, anyone , and when it needs to move, it does so, or when it needs to provide little "ooh" visual wonders like Joseph Gordon Levitt floating along and doing his part in the time-frame, Nolan comes up with wonders there too. It shouldn't require a repeat viewing, yet I do want to go back again, not to have things re-explained to me, which is unnecessary, but to revisit the characters, the multi-layered literally story structure, and the intensity of the direction. It's a helluva trip through the "architecture of the mind", and a very fine return to form to the 'early' sort of mind-f***er movies Nolan's made in the past.