Kill Bill Volume 1 [Hindi] (2003) - Dubbed Other movies recommended for you
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Plot: The lead character, called 'The Bride,' was a member of the Deadly Viper Assassination Squad, led by her lover 'Bill.' Upon realizing she was pregnant with Bill's child, 'The Bride' decided to escape her life as a killer. She fled to Texas, met a young man, who, on the day of their wedding… Runtime: 111 min Release Date: 10 Oct 2003
A lot of people have come up to me and said "How can you love Quentin that much, he is just too extreme!" or "Oh come on, Kill Bill is just SO not realistic.." Yes. No.Mr. Quentin Tarantino is rather extreme, yes, and it's lovely! And No. Kill Bill is not realistic, but it's not meant to be realistic! Just like... Lord of the Rings, that's not realistic either! But because it has clear unreal elements, like wizards, it's acceptable?You don't go to see Kill Bill, or any other Q.T-film to see "Stepmom", in the same way you don't go to a <more>
Marilyn Manson concert hoping that they will play some Spice Girls..Kill Bill, both volume 1 and 2, is absolutely gorgeous! The art direction is beautiful! The camera angles are perfect... just Gorgeous! The lighting, the sound, the dialogs... and of course, the details! No one works with small details the way Quentin does. I must also say that the soundtrack is brilliant and the whole film is just so well casted! Uma Thurman is perfect in the leading role, Darryl Hannah has never been this good before, ever! And Chiaki Kuriyama, even though she has a quite small role, is excellent, even better than she is in "Battle Royale". David Carradine is painfully perfect, Michael Madsen is ALWAYS excellent, but never as good as when he works with Tarantino. I must also say that Sonny Chiba was great. I've never been a big fan of Vivica A Fox until now, and I used to think that Lucy Liu was just your average actor but she turned out to be fierce. Pretty much everyone who is in this film is ten times better than they've ever been.But above all things, Kill Bill is artistic, beautiful... Perfect colors, perfect everything... gotta love it.
Man, what a film. As a fan of 70's martial arts movies, it was great to see all of the references. I also thought the use of B&W throughout was extremely effective. The cartoon sequences seemed a bit much, but did fit in with the overall feel of the film. I have seen many people posting about the sheer amount of blood and guts, but you have to remember this was Tarantino's homage to Bruce Lee-era action pictures. In those movies, the stories were very similar epics of revenge, and they never had much of a budget for good "gore" effects. It was more or less "throw <more>
some fake blood on the guy who just got killed" type of effects, which were duplicated accurately by some of the deaths in this movie. The plot also followed closely the plot of most 70's Kung Fu movies; something despicable happens to the weak hero whole village razed, family slaughtered, etc.. and the hero goes away for years to learn the secrets of a particular style of Kung Fu. All of these movies contained the "secret move" which the master normally does not teach, except of course, in this rare instance. That move, as depicted in Kill Bill Vol. 2, is always used on the evil leader of the clan whom had brought death and chaos to the hero.Kill Bill was a terrific modern take on those movies which were always set in ancient China. I was very impressed with Uma Thurman's swordplay, at no point did I feel that it looked scripted or fake. Even when fighting against more than 50 Crazy 8's, it replicated admirably the incredibly one-sided fights from some of the best martial arts movies made 30 years ago.All in all, a great and original film! R.
Probably Tarantino's most universal movie to date, with a little less character dependency than most of his films and a more linear approach than usual, Kill Bill Volume 1 is a great place to start for anyone new to his movies. I don't mean to imply this is a shallow film far from it , i simply found it easier on the mind than Tarantino's other movies.Uma Thurman, left for dead by her ex-boyfriend Bill doesn't die and begins her quest for vengeance, by hunting down Bill's gang members in a search for Bill. Armed with a Samurai sword and a deadly blend of martial arts <more>
skills, Uma delivers action, violence and passion as she plays out the character with beautiful precision.Need i say, this is excellently directed, brilliantly scripted and cast, and should be in everyone's Tarantino collection.10/10 Second only to Pulp Fiction. Although it has wider appeal I think
Instant classic, but not for all audiences. (by The_Angry_Critic)
I know it's a couple years late, but I had to write a review for some of the few people that haven't seen one of my favorite and refreshing I've seen over the last few years. Kill Bill Vol. 1 is yet another quality film of Tarantino's short, but distinguished list.Kill Bill involves a nameless woman Uma Thurman who is slowing seeking revenge on her former hit squad the Viper Squad and her boss Bill David Caradine. Her former hit squad wronged her by gunning down her closest friends and family during her wedding and putting her into a coma while being pregnant. A few years <more>
later she awakens in a hospital, without child, and tries to track down each member of the squad. As the story progresses through this film and the sequel , you find out who she really, why Bill wanted her dead and the fate of her daughter.The movie is really a combination of Tarantino's love for the 70's over-dramatized Kung-Fu movie era and story of revenge with rich dialog. Yes, this movie is violent, but in a cheesy way. This created some controversy and really had audiences stirred up, failing to realize it was supposed to be over the top without no sense of realism. Like I said, it was supposed to be a tribute more so than a gruesome action flick. With all cheesiness aside, I can understand how some people could feel a little woozy after seeing someone lose an arm and having 4 gallons of Kool-Aid red blood shoot out of the body like a whale's blow hole. What really makes this movie is Tarantino ability to make bad to mediocre actors seem like good ones, a smart and hilarious dialog and a good storyline. Of course, this is what he does in pretty much in all of his movies.There are various plot holes in the story, but we are really meant to ignore them unlike most movies. Just like the gory scenes, come to grips to the fact that the most of the implausibilities are there just to fill in the gaps of the movie. The movie also features a couple of classic Tarantino showdowns, including an unforgettable one with the Japanese infamous crime lord, O-Ren Ishii Lucy Lui. Once again, Tarantino puts his imagination at work again in his story telling by using some of his old techniques like jumping timelines and some new ones like adding Japanese animation for character backgrounds.I wouldn't really recommend this film to someone who is really not from the Pulp Fiction era. This film is really just homage to flicks that frequently appear on Sunday Samurai Showcase, revenge and Tarantino's continuous fascination with Uma Thurman. This film contains extreme violence and sometimes strange dialog coupled with some pretty good acting and directing. If you're not a fan of Tarantino's films, you should pass on this one because it is doesn't stray to far from his other stuff. If you like his other works, this is a must see due to its originality and quality. And, if you just don't like Tarantino himself, and find him annoying like everybody else, I don't blame you but it's still worth your while seeing.
Do I think this movie is absolutely brilliant? Yes. Do I think this is the all time greatest movie ever, or even a top 50? Nope. I find the dichotomy between people who hate this movie and those that think it's the greatest film ever made is interesting. Even more interesting is the apparent split between fans of Volumes 1 and 2. Like the thread says, I think most of it's a matter of those who prefer style to substance. For my past, Volume 1 destroys Volume 2, but I concede that everyone has their own tastes and experiences and that no one pinion has any more weight than the other. <more>
Two scenes in particular really make this movie brilliant in my opinion, and both are fairly subtle in their portrayal but fascinating by their tone and the cinematic elements that come together to carry them off:1. The scene where Oren and the Crazy 88 enter the House of the Blue Leaves. Absolutely magical. The score, the pacing, the atmosphere....simply magnificent. The slow motion pull away and the obvious hierarchy of characters, Lucy Liu was absolutely made for that part and that part was made for that scene. The beautiful and menacing Gogo Yubari and the goofy 88s trailing behind. You can also feel the tension the owners feel at having such esteemed guests but one's who admittedly exude as much fear as they do respect. Add to this the nameless, faceless people dancing who are oblivious to the regality and lethality of Oren's entourage. 2. Oren is called out by Kiddo who subsequently whacks off Sophie's arm in a highly symbolic gesture. Words can't describe how moving that scene is. The score is superb and the timing is nothing short of perfect. I especially love the way the crowd pauses after the arm slicing...like they're all stunned or still convincing themselves it rally happened...then all rush out screaming. Kiddo makes a slow, deliberate plod through the panicked crowd, a march to destiny filmed from several perspectives that combine holistically to give the segment a life of it's own.One aspect of this movie that puzzles me is the emphasis it's critics make of the gore. For my part the gore was so outlandish it's hard for me to see how anyone could take it seriously, and that was part of the appeal. Buckets of blood spraying 15 feet in the air is so beyond the realm of reality how could you possibly take it seriously? For my part it was borderline comical and really brought out the flavor of the scenes, rather than being their focus. And regardless of what you think of Tarrentino as a director, the man is bar none the best at matching musical scores to a scene in the business. A few other noteworthy scenes...*The end-fight between Oren and Kiddo....marvelous stuff. The backdrop of the snow and the water, the smooth silence interrupted by the fountain, again, a great accompanying score. Fine piece of film craftsmanship.*Kiddo's overhead film shot while walking to the bathroom of the House of the Blue Leaves. Simply amazing. 5,6,7,8s performing live is just quirky yet proper enough to really add some depth and the unique filming make this a scene to behold.
A movie of visual splendor and a mixture of styles. (by Boba_Fett1138)
This movie is a visual experience of different styles, all combined with also some trademark Tarantino elements.The movie is obviously a case of style over substance. In essence the movie is just a basic revenge flick without too much depth or meaning. This however is exactly like how Tarantino intended it to be. "Kill Bill: Vol. 1" is simple, straightforward, completely over-the-top but above all beautifully shot and superbly directed. The movie its story comes totally secondary, as Tarantino used this movie as an experimental tool to mix several, mostly Asian cinema, styles <more>
together and blend it into one big visual experience of violence and unusual over-the-top looking sequences. His aim was style and with that this movie most certainly does not disappoint.Always when looking at a Tarantino movie, it becomes obviously that he's a big movie buff and movie lover. Tarantino really shows his love for- and pays homage to Asian cinema and especially anime. Most notably of course in the animated segment that is great by the way but also in almost every action/fight sequence in the movie and its violence. It gives the movie its own unique style and an overall atmosphere of 'coolness'.The violence is definitely brutal and straightforward, as gallons of blood are spilled in this movie. But all of the violence is done in such a, deliberately, over-the-top and fake looking way, that it becomes entertaining, rather than shocking or stomach turning. It even becomes poetically beautiful to watch at times. The action sequences are definitely the best parts of the movie and they are well choreographed and shot. When things get too graphic the movie simple conveniently switches to black & white or turns to other creative cinematic solutions.The power of this movie is definitely in its visual style and overall style of directing. The movie uses different themes throughout the movie but yet the movie manages to create one big unique identity. The movie never feels incoherent or disjointed in its style or storytelling, though it all widely differs from each other at times. I think that this is mainly thanks to Tarantino's directing, who keeps the movie and different styles all on one and the same line. Visually the movie is also definitely helped by Robert Richardson fantastic cinematography, who should at least had been rewarded with an Oscar nomination for it.The movie is filled with some big name actors, though not all play a significant part in the movie yet see "Kill Bill: Vol. 2" for that . Uma Thurman is truly superb as the Bride and I can honestly say that this is her best role out of her career. She also was rewarded with a Golden Globe nomination for it. Also really superb in her role was Lucy Liu. Again, also her best role yet.Not of all the trademark Tarantino elements work out well in the movie I definitely missed the typical trademark Tarantino dialog in this movie and for also for most part the trademark non-linear storytelling felled pointless and didn't really served a purpose for the story. It therefor really isn't Tarantino's best but it's definitely his most experimental and most visually orientated, style-full, splendid movie.Unusual, over-the-top but strangely intriguing, entertaining and overall brilliant. Yet another Tarantino must-see!9/10http://bobafett1138.blogspot.com/
First of all, I'm a huge Tarantino fan. I've got a gigantic 6 foot poster of my favorite movie, Reservoir Dogs, hanging in my room. So I was extremely excited before seeing Kill Bill. But ten minutes into it I felt like crying. This movie has none of the great things in it that made Reservoir Dogs, Pulp Fiction, or Jackie Brown great. It is just Tarantino showing off while trying to make some money. And if you think I'm wrong, just think about it. He split this movie into two just so we would have to pay twice to see one movie. And his excuse was that we "aren't ready for <more>
a three hour long kill bill". WTF is he talking about.I'm going to give this a 1 vote to bring down the average since Kill Bill doesn't belong anywhere near the top 250. only there because Tarantino's name is stamped on it . So I would really give this a 4/10 if it wasn't by Tarantino.
Fast, brutal, and stylish. Quentin's back. (by MovieAddict2016)
Quentin Tarantino's fourth feature film, "Kill Bill," is a rollicking rampage of revenge. Fast, brutal, and stylish, the film reunites some of QT's favorite elements from well-known Asian martial arts films with an American twist. But have no fear, people of Japan--Quentin pays true respect to the classics of the genre, and the individuals who made them. He takes what most audiences are unfamiliar with and presents the varying shreds of material as a splendid mainstream whole even down to segments of anime . Sure, we have had to wait for another installment because of fat <more>
cat Harvey Weinstein, who was after the big bucks when he suggested the film be split into two separate "volumes," but I think I actually prefer "Kill Bill" as two pieces. It just builds up the public appreciation for the film and provides us with a good catcher, and a hanging end. The matinee serials that "Indiana Jones" paid homage to used to do the same thing--I see no true problem with it. Although I don't feel that having to pay for extra tickets to see the rest of the movie is a move made without marketing behind it. It's been a long six years since "Jackie Brown," and for Quentin, it's all been spent on trying to make this movie get made. His breakthrough was with 1992's "Reservoir Dogs," one of the greatest films of all time, and his 1994 modern-day masterpiece "Pulp Fiction" truly named him one of the best directors of this generation. He has proved he can also act, too, in some of these films. "Jackie Brown," a very good movie but admittedly not a great one , disappointed many of Quentin's fans, and so he has spent all of this time since that feature film trying to bring "Kill Bill" to the screen an idea that originated during filming of "Pulp Fiction," when he created the film's tagline almost ten years ahead of schedule .What he does with "Kill Bill" separates him from being another one-hit-wonder director. "Kill Bill" isn't as realistic or perhaps even as meaningful as his other films, but it's a masterpiece in its own right, filled with excessive bloody violence and revenge fantasies that come true. We all wish for a bit of revenge now and again. Some of us get it, and some of us don't.The Bride Uma Thurman decides that she wants to get even with the people who tried to assassinate her four years ago, and she'll stop at nothing until she does. The Bride whose real name we never firmly grasp was massacred by the Deadly Viper Assassination Squad Michael Madsen, Lucy Liu, Vivica A. Fox, Daryl Hannah at the altar four years ago. Bill David Carradine was behind it all "You find me sadistic, don't you?" . But four years pass and The Bride wakes up from a long, deep comatose. Some of her first thoughts?"They killed nine people. They should have killed ten."There's not much you can say about a movie like "Kill Bill" without giving away important plot points or funny moments. Much of the film relies upon Uma Thurman to keep it afloat, and she impressed me very much with this movie. Some of her one-liners and deadpan expressions will go down in cinema history as some of the best--and funniest. "Your name's Buck, and you're here to--" Tarantino has stuffed "Kill Bill" full of martial arts references. Tarantino who used to work at a video store before he directed "Reservoir Dogs" is a huge fan of movies, and he's admitted to watching on average two or three a day. He's a film buff's director, a guy who actually knows something about film. Even The Bride's outfit she wears throughout much of the movie is that in Bruce Lee's final movie.It's a disgrace that those Hobbits received Oscars over "Kill Bill," a much more exciting, involving, and relatable movie. I'm sorry, but although I found "The Lord of the Rings" well made, it was also a large knock-off of other films from the genre, and I think Jackson tried to bring too much depth to a story that simply has very little. I can't relate to Hobbits and wizards on magical quests. We can all relate to revenge. And I'm going to get a lot of nasty letters for saying that.But Tarantino has delivered a truly original film, and one that should have been nominated for among others Best Original Screenplay, Best Picture, Best Actress, and Best Director. I'm sorry, but it's true, because this is a finer and more original film than any of the "Lord of the Rings" installment, despite how much of an impact they have had.This shouldn't turn into a rant, which is why I am going to end my review by saying that "Kill Bill" is a film unlike anything I have ever seen. Yep, it's pretty strange, but it's also pretty fun and extremely well made. Quentin hasn't disappointed. After leaving the theater, I couldn't wait to see "Volume 2," and I'm already counting the weeks until its release.5/5.Top Ten of 2003: #2John Ulmer
Kill Bill: Vol. 1 2003 is a unique film. I've never seen anything quite like it. My commentary for this film is almost all positive. First off, the cast really blew me away, each and every actor did a great job with their respective roles. Uma Thurman is a terrific actress and she was definitely the right choice to play the lead character. Thurman commands this role and you are transfixed by her in every scene she's in. It's not just the action sequences that she is great in, she's just perfect for the role all around. And it wasn't just her that I loved, I also liked <more>
Vivica A. Fox, Daryl Hannah, and Lucy Lui. They all showed off their acting chops here, especially Fox, I personally loved her short time she's in the film. The writing is well done, I especially enjoyed Thurman's dialogue, the well written dialogue and the impressive way that she delivers that dialogue all comes together to make something great. I think most movie goers will enjoy this acclaimed movie, as long as they're not too conservative that is. I say that because the violence is truly graphic and very bloody, but in a strange way it kinda works for this one. I'm usually not a big fan of that, but here it works. Good job Tarantino! 8/10.