Moneyball [Hindi](in Dubbed Hollywood Movies) Moneyball [Hindi] (2011) - Download Movie for mobile in best quality 3gp and mp4 format. Also stream Moneyball [Hindi] on your mobile, tablets and ipads
Plot: Oakland A's GM Billy Beane is handicapped with the lowest salary constraint in baseball. If he ever wants to win the World Series, Billy must find a competitive advantage. Billy is about to turn baseball on its ear when he uses statistical data to analyze and place value on the players he picks for… Runtime: 133 min Release Date: 23 Sep 2011
Who thought Baseball and Economics would make an interesting movie? (by estebangonzalez10)
¨There are rich teams and there are poor teams, then there's fifty-feet of crap, and then there's us. ¨ Moneyball was among the best films I've seen this year. It really caught me by surprise since I'm not a big baseball fan and wasn't expecting much considering the subject matter. Baseball and economics seemed like a bad combination for me, but since Brad Pitt, Jonah Hill, and Phillip Seymour Hoffman were all starring in this film I had to see it. It's impossible not to fall in love with the Billy Beane character and the relationship he had with his young assistant <more>
Peter Brand. They are really the center of this movie so if you're doubting wither or not you should see this worrying about the subject matter all I can say is go see it anyways because it is much more than simply another baseball movie. There are some very strong and emotional scenes where I couldn't help but get goose bumps over a team and a sport I really didn't care for. That is how good this film is. Moneyball is directed by Bennett Miller, who also directed Capote in which Seymour Hoffman won an Oscar for his lead performance as Truman Capote. Miller has proved he can make some great films. The movie was adapted from the book written by Michael Lewis Moneyball: The Art of Winning an Unfair Game which focuses on the true story of the Oakland A's General Manager, Billy Beane, who managed to put together the 2002 team on a very low budget by using computer-generated analysis to draft his players based on a formula which was perfected by his young assistant. This would change the game forever. Steven Zaillian and Aaron Sorkin The Social Network and Charlie Wilson's War did a great job at adapting the screenplay for the big screen.The movie begins with real footage from the last 2001 divisional series game between the Yankees and the A's. The A's were winning the series two games to nothing, but the Yankees came back to win the final three games and leave the A's out of the Championship Divisional game for a second year in a row. The bad news for General Manager, Billy Beane Brad Pitt , is that he's going to lose his three star players for the next season. The A's don't have the kind of budget that other rich teams like the Red Sox or the Yankees have. It's just impossible to compete against those teams, so it's time to think outside the box. Billy meets with his talent scouts to see how they can replace these key players without any money, but finds no solution. He decides to hire a young Yale Economic graduate who was working as an adviser for the Cleveland Indians. His name is Peter Brand Jonah Hill and he uses statistical data to analyze each player and decide which one has a better value based on their batting average and price. Beane and Brand go against all odds and decide to build their team entirely on these computer statistics. The scouts are outraged by the decision, but Beane believes this is the only way he can compete with the big budget teams. Beane also has some arguments with manager Art Howe Phillip Seymour Hoffman over whom he should start, but the main focus of the film relies on the relationship between Beane and Brand. There are also a few scenes dealing with Beane and his relationship with his young daughter Casey Kerris Dorsey who lives with her mom Sharon Robin Wright in California as well.Moneyball works as both a sports film and a biographical movie, but it is really much more than that. It works thanks to a very strong performance from both Brad Pitt and Jonah Hill who shine in every scene they are together in. Since Beane doesn't like to watch the games for fear of jinxing the team we don't really get to see a lot of baseball. There are several conversations revolving around baseball, but it really isn't that central to the film. The true heart of the film is Beane who we all want to see succeed and silence the critics. We want his system to work because he is such a charismatic character and he believes in what he is doing. The scene where the streak begins is very inspiring and one of the best moments in sports film in my opinion. I really got a lot of goose bumps during that twentieth game winning streak. I also enjoyed the side story revolving around Billy and his daughter Casey. Kerris Dorsey has little screen time, but she is great opposite Brad Pitt. As for Phillip Seymour Hoffman and Robin Wright they really don't have much to work with and don't bring anything to the story really. It's a shame because Hoffman is a great actor and he could've had a better role in this film. In my opinion the ending is perfect as well and the soundtrack was also great. Moneyball was one of the most emotional experiences I've had with a movie all year and I really recommend this inspiring film.http://estebueno10.blogspot.com/
I used to be a fan, about sixty years ago when I would take the trolley to Griffith Stadium to watch the Washington Senators lose again. But there were some great players that beat them, Mickey Mantle, Ted Williams and Joe DiMaggio, who I discovered that in spite of my running as fast as I could to catch him for an autograph, could outpace me by his graceful effortless loping to the bullpen.But the game lost its charm over the years, and with expansion I didn't even know the names of the teams, who had had that old Senators franchise that bounced around the country. So, when a friend <more>
offered me his copy of this DVD, saying it was something special, I figured I would watch it and politely fib that I enjoyed it.Well, I shouldn't have worried. This was one of the finest films I've seen on so many levels. How they captured interactions from the G.M.'s relationship to his daughter, and his young adviser along with every one of his professional colleagues with such utter truth is amazing. Not a single false note. I compare it with the work of David Mamet, an esteemed film writer whose dialogue is his image of how men talk, with every other word four letters beginning with F. I've worked in setting such as the sales rooms of his film Glen Berrny-Glen Ross, and can attest that he was portraying caricatures rather than real people, unlike those dramatized by every single character in this film.From the original book, to the screen adaptation, to the acting, directing and editing---this was a gem, but beyond technical excellence it was inspired-as reflected by the fat player who tried to get back to first, not realizing that he had hit a home run. I don't know whether this really happened or not, and I don't care.It was a metaphor. Not just for this film, but for life.
Leaning over an introspective Brad Pitt as Billy Beane confesses to his assistant GM Peter played by Jonah Hill, " It doesn't mean anything." Pitt's Billy frames the context if his Oakland A's don't win it all. In the Big Picture, Billy gets it. And so does Director Bennett Miller in "Moneyball". Steven Zaillian "Searching for Bobby Fisher", "Schindler's List" and Alan Sorkin "The Social Network" wrote the screenplay based on Michael Lewis's book, "Moneyball: The Art of Winning an Unfair Game". <more>
Bennett's "Moneyball" is about altering the way people think, and the genesis of leadership and greatness. "Moneyball" is one of the best movies of the year. Brad Pitt is awesome."Moneyball" recalls the story of the 2002 Oakland A's and their record breaking 20 game win streak, following the gutting of the team due to superstar free agency. The joke is that the A's much like other small venue franchises have become farm teams to the Yankee's, who have a $100 million plus payroll. Unlike other professional sports, the baseball salary cap void is indicative of Lewis's book's title. Brad Pitt plays Oakland A's GM Billy Beane, who was supposed to be baseball's next superstar when recruited back in 1979. Zaillian and Sorkin delicately weave that narrative thread, and Pitt eloquently evokes the regret of unrealized possibility. What makes "Moneyball" so amazing is that it is more than just a baseball movie. Bennett subtly cops to this at the movie's catharsis when Pitt says to Hill, "I get the metaphor." It is about the romance of the game, about forging the greatness in people."Moneyball" works because of Brad Pitt. What is refreshing is that he isn't asked to play unattractive here to be taken seriously. In fact he looks great and incredibly lean and fit, at his charming best. Pitt is amazing in communicating in his silence, whether he turning his back to the camera or in one scene as his eyes glaze over as his scouting staff discards a potential prospect, because he has an ugly girl friend—obviously has low confidence. In a radical move Pitt's Billy hires Peter Brand Jonah Hill as his assistant, after discerning his critical acumen in a negotiation. Hill lands perfectly with Peter's humble genius and earnestness. Peter is a Yale graduate with a degree in Economics. Peter's revolutionary paradigm is that in baseball you don't buy superstars, you buy wins. More specifically, you buy runs, hits, and walks. Given the $38 million salary of the A's, you are literally creating a team of "misfit toys". Peter's brilliance lies in analyzing the statistics and getting the undervalued talent. Pitt and Hill have amazing chemistry. They are funny together, and their underlying bond is respect. This is part of the touching humanity of "Moneyball".The other humanizing relationship is Billy with his young daughter Casey wonderful Kerris Dorsey . Dorsey is the authentic shy teenager. She lives with her Mom, Billy's ex played by Robin Wright. Pitt has a natural fatherly partnership with Dorsey. Pitt has a beguiling charisma that is never overshadowed by kids. Together as Casey sings Billy the song she wrote for him, unpredictable movie magic emerges.What I found so inspiring about "Moneyball": its soul is about reclaiming one's innate greatness. Billy and Peter acquire 37 year-old David Justice commanding Stephen Bishop in the twilight of his career. Pitt has a come to Jesus meeting with the aging superstar. Billy points out that Cleveland was willing to pay half his salary for him to play elsewhere. He admits to Justice that he is also gone if this experiment in Oakland is a bust. Pitt looks him in the eye and says, "Be a leader." This is just awesome stuff. Leaders generate other leaders, and alter the way we view the world. Pitt is amazing. He is uncompromising in his passion and humanity, and he delivers with humor and heart. This is a wonderfully scripted movie by Zaillian and Sorkin. Director Bennett elicits authentic performances from his impeccable cast. On the surface "Moneyball" maybe about getting things on the cheap, but it is really about seeing the best in people. "Moneyball" is more than just about baseball, it's about life. "Moneyball" is one the best movies of the year.
Moneyball tells the story of the 2002 season of the Oakland Athletics, a team that rose to notoriety because of its low payroll and unorthodox player selection. Billy Beane Brad Pitt , a former player turned general manage, grows tired with the ancient, inefficient ways of the game he has committed his entire life to. When a transaction goes awry he stumbles across Peter Brand Jonah Hill , a Yale, economics graduate who believes he has a system to rating players based on numbers.Billy and Peter begin trading, signing, and grooming the team based on data, not scouting, something that other <more>
members of the team are not fond of, including Art Howe Philip Seymour Hoffman , the team's manager. Billy and Peter's system defies current baseball logic, but when the club starts to win games with players like Scott Hatteberg Chris Pratt , David Justice Stephen Bishop , and Chad Bradford Casey Bond , the eyes of the country turn to Oakland, where only seeing is believing.What happened in Oakland back in '02 was incredible. It shouldn't have happened if you ask the right people, and other people will tell you it means nothing. Well, it did mean something it has changed the way people think about the game for good. You couldn't just go out and look at a kid to see if he would be a star or not. There were more stats to consider than home runs, strikeouts, and batting average. The game was expanding and becoming more and more a battle of logic.The film's structure is centered mostly on Billy Beane, but the most exciting parts for me were about the system. Writer Aaron Sorkin, who a few months back accepted a slew of awards for his screenplay The Social Network, tosses out jargon that baseball fanatics go crazy for. For the general audience, that's where Billy helps out. Peter explains the system and has to break it down more for Beane i.e. the audience so everybody on screen and in the seats is on the same page.Pitt's portrayal of Beane won me over. He completely caught me off guard. I know Pitt can act but I remember him for performances that were very complex on the outside. Aldo Raine Inglourious Basterds with his pronounces chin, squinty eyes, and thick accent. Benjamin Button The Curious Case of Benjamin Button who grew younger as he got older. Jeffrey Goines 12 Monkeys who couldn't sit still let alone focus on one subject in a conversation. Yes, he was nominated for all these performances, but in a performance like this there is something bubbling under the surface. All of his characters to an extent have something going on underneath, only this character, Billy Beane, is so normal and calm on the outside, yet when he is alone we can see pain and frustration.His supporting cast of Hill, Hoffman, and the slew of ball players and colleagues, help turn this baseball team into the world of Oakland Athletics. Hill and Hoffman especially play perfect compliments to Pitt's sunny exterior. Hill is quiet, timid, and very smart. Hoffman is cold, weathered, and stubborn. Pitt is able to play off of both temperaments and make their scenes together pop off the screen.The one thing that this movie has going for it is the lack of actual action on the diamond. There are some great scenes of actual baseball, one at bat by Hatteberg in particular struck a chord with me, but for the most part the action is behind the scenes. There is enough for a sports junkie to get their fix and enough drama and with Beane and his family to entice any average viewer into the theater. I can't think of many target groups that wouldn't find it interesting, except for children, due to language and complexity of some of the dialogue. All in all this is one movie that will please a lot of people, and more importantly a lot of different people, sort of like The Blind Side, only the movie is actually really good.
Pitt is at the top of his game (by Legendary_Badass)
I have another rare chance to catch a film more than a day before its national release. Usually when this happens there's a horde of folks queued up. When the doors to the theatre open, phones are sequestered, and a rush is put on to find prime seating. Those were movies starring a bunch of well less than household names. Surely a sneak to see a Brad Pitt movie would be even more chaotic. Unfortunately the waning popularity of America's pastime is as much of a deterrent as a movie star and free entertainment are agents of attraction. Billy Beane Brad Pitt is a former major leaguer <more>
turned general manager of the Oakland A's. After losing in the playoffs to the Yankees, the A's lose their stars to free agency. Billy is tasked with rebuilding despite a payroll that leaves the A's trailing the competition. While going through the usual motions, Billy happens by Pete Brand Jonah Hill , an economist who may have found a way to scout baseball with the efficiency the A's need. The two delve in head first, and despite some tough outings they never back down.Pitt is at the top of his game. As an everyman—or at least one that isn't played up as wealthy, a man struggling to keep his job—frustration is clearly seen in Pitt's face. Pitt brings humanity to the ominous job of a general manager. Flashbacks of his stint in "the show" surmise his entire life, be it his divorce or relationship with his daughter Casey Kerris Dorsey .Moneyball is not the action-packed sports outing one may be expecting. Director Bennett Miller spends very little time focusing on the game of baseball, or even the personalities of the players. Moneyball is a movie about management. Its deadpan, forthright approach is fresh compared to the typical underdog story filled with home runs and stolen bases. There's no electrifying music or thrilling speeches, but the excitement found in a phone call is realized as well as one could imagine. I don't think any actor other than Hill could pull of his slowly clinched fist.Like the good sports films, Moneyball shares a deeper meaning than simply winning. Immediately the value of loyalty comes to mind. The sports genre is changing, much like how the crew of this story changed talent scouting. Just last year a movie rose up about the struggle to manage a boxer, and now here's the struggle to manage a team.
It has long been said that professional sports are more a game of politics than an actual game. Major League Baseball is not just a game of money, but in "Moneyball" it's a game of numbers versus a game of people. It's callousness at its highest when general managers trade away people as if they're objects with little regard for them or their family. Brad Pitt as Billy Beane, the GM of the Oakland As, seems to take that even further, treating people as if they are only numbers, and yet there was something refreshing and humanistic about the whole thing.It's 2001 and <more>
Oakland has just lost to the New York Yankees in the playoffs, not surprising, seeing as their payroll was 76 Million dollars less. The humour of "Moneyball" starts in the off-season when the team can't afford to keep their top players and Beane and his experienced scouts start tossing around some free agent ideas. One guy is no good because he frequents strip clubs too often, another guy is no good because his girlfriend is ugly, and on down the list they go. But then Beane meets Yale-educated, economics-, mathematics-, and computer-whiz, baseball fan, Peter Brand Jonah Hill . He has no experience and he doesn't know these players. He doesn't know if they stand funny or if they swing ugly. He only knows their stats and their salary. A lot of people took offense to Beane's approach of degrading players down to the sum total of their on-base percentage and runs-in potential. But I liked it. Since the game of baseball isn't changing any time soon and players will always just be elements that can help win games and make more money, why not view them as numbers rather than as people with ugly girlfriends? Like Peter Brand, I like numbers. It's a movie about doing more with less, so I think we're just supposed to ignore the irony that they needed an excessively high budget to make it. In fact, it cost Sony Pictures more money to make this movie than it cost the Oakland A's to field their entire team for a season. Oh well, only one lesson for Hollywood at a time, and I still liked the movie.For a movie about people trying to change the game of baseball, it's only fitting that they are changing the sports genre. This isn't about the team and how many games they're going to win. As in all cases, they win some and they lose some. And we really only meet one player, the rest are just names thrown in the air. The movie is about Billy Beane, a real person, and a multi-dimensional character. At first he realizes that he is going to have to play the game with more than just money, and then after he makes it about numbers too, he finds a balanced statistical and personal concept."Moneyball" says that the game is about money, but the movie is about people. Writer Aaron Sorkin knows how to write people, and as evidenced by "The Social Network" 2010 , he also knows how to turn computer-programming into riveting cinema. We find humour in the least-expected of places, we find heart in the least-expected of people, and 'Moneyball" gives us a completely enjoyable movie that becomes so much more than numbers.
America's pastime has returned to the big screen and it is more witty and elegant than ever. Moneyball is the inspiring story of the Oakland A's, a team that was all but bankrupt but managed to beat the odds through intelligence and perseverance. Brad Pitt plays Billy Beane, the team's general manager who has run out of ideas on how to make his strapped for cash team successful. This is until he meets Pete Brand, played by Jonah Hill, an economic major from Yale. Brand devises a formula that analyzes players in a way nobody else does, thus revealing statistics about players that <more>
no one else can see. Beane and Brand use this formula to build up their unlikely roster of misfits. The themes of this film run deep through our aspiring minds. It's a film about beating the odds, going against the current, and standing up for what you believe is right. It is a moving and inspiring film that really only uses baseball as a backdrop for its deeper and more universal themes. It's a moving film and you don't have to be a baseball fan to love it.The strongest element of Moneyball is easily Aaron Sorkin and Steve Zaillian's incredibly sharp script. Moneyball brings up fond memories of 2010's The Social Network in which Sorkin pulled out all the stops in his intellectual screen writing ability. The dialogue in Moneyball moves at the same pace as any Sorkin or Zaillian script does. It has a driving cadence to it that keeps a film entirely dominated by dialogue very exciting and entertaining. Their script is lively, energetic, and diverse. Moneyball has intensely emotional scenes that compel and inspire, but then it has its lighthearted and much funnier moments that have the exact same affect. There's a lot to be said for any film that has the capability to make its audience laugh and cry in the same two hour span. Moneyball is a film like that and it all begins at Sorkin's fantastic script.However, it is helped by the film's superb cast. Brad Pitt leads the film perfectly, creating a very interesting protagonist and driving the film in a way few leads can. He attacks his role as Billy Beane with the utmost care, respect, and sincerity. Despite all of Pitt's good looks and always recognizable celebrity face, you will have a hard time remembering that Pitt is the one acting, not Billy Beane. But, as always, where would such a strong lead be without his supporting cast? Moneyball has that supporting cast, and it finds its immeasurable talent in the most unlikely of places. I'm talking, of course, about Jonah Hill. Hill has built his career on being a comedy caricature with over the top flicks such as Superbad and Get Him to the Greek. But all that changes when Hill takes on the role of Pete Brand. His performance is stellar. He proves himself to be a true up and comer who won't find himself restricted within the confines of teen comedy.Overall, Moneyball is your typical crowd pleaser, but it is incredibly high quality. It is so well directed, so superbly acted, and Sorkin and Zaillian's script is practically flawless. Personally this isn't the film I will go crazy about. Rather, it is a film that I will enjoy so sincerely and with all my heart. I really did love this film and my respect for it is eternal. It may be typical and straightforward in its overall themes, but the quality of the film outshines this. Moneyball is just an excellent film.
Intriguing, investing, with a great screenplay and a fantastic performance at its core (by Red_Identity)
Sports films... Not a huge fan of them, and don't see them much because of the predictability of them. However, one cannot deny the impact that some have, like for example in recent years The Fighter and Aronofsky's The Wrestler. Moneyball can now join them and is among the best films of the year.The film is always intriguing, and Aaron Sorkin whose screenplay for The Social Network was last year's best is to be congratulated for this. It's his wonderful script that gives the film the energy. What also helps is the lack of predictability. Sure, one can't seem to hope for <more>
an 'experimental' sports film, since this is based on a true story. However, Sorkin, as well as the director, always keeps things refreshing and interesting without becoming repetitive and stale. The dialogue is brilliant of course, and the lack of 'field' action makes it even more involving so when the important ball scene comes along it makes an impact. The other big driving factor is Brad Pitt, who has had an incredible year. His performance in The Tree of Life is already among his finest work, and now this joins it as well. He portrays all of the character traits with such versatility and charisma. A great and satisfying protagonist. Overall, I was incredibly pleased with this. It is to this day the best adapted screenplay of the year, and not surprisingly Pitt is my win in both categories for both of his films.
There is no question that Moneyball should immediately be elevated to the already crowded upper echelon of baseball movies, but it is really more about business than it is about sport. The storyline is already familiar, and the good thing about it being, as they say, "based on a true story" is that we are spared a Hollywood ending in the form of a 7th game, extra innings victory in the World Series.Moneyball is a classy production from start to finish. The script is tightly written, the casting is impeccable and the direction is slick and largely unobtrusive. Brad Pitt is competent <more>
in a role that doesn't demand too much of an actor. Philip Seymour Hoffman looks every inch or pound an old school baseball manager in his exasperated attempt to impose the "right way" of doing things on the hapless misfits he has been given to lead into battle. Stephen Bishop is a remarkably fine David Justice, the former superstar trying to come to terms with the vagaries of ageing and fading acclaim. The real star, though, is Jonah Hill, who, as a precocious young math whiz, and an Ivy League grad to boot, is a fish almost completely out of water amongst the cynical old guard of the baseball world.It is a fine film, to be sure, but if there is any justice come Oscar time then at least two other films which were also featured this week in Toronto, The Descendants and The Artist, should be the front runners for best picture.