After somewhat of a backfired attempt at returning the Bond series which had descended to rampant silliness to a coldly serious polar opposite in For Your Eyes Only, director John Glen skilfully melded a more serious and visceral tone with a return to the more light-hearted Moore touch. The result was Octopussy, which, despite its eyebrow-raising title, proves to be one of Moore's strongest outings, excelling on all the fronts which made the Bond series a skyrocketing success in the first place.When viewing Octopussy in comparison to the Bond series at a whole the light-hearted Moore <more> touch is undeniable, but the film's moments of gritty intensity stand out as all the more surprising in contrast with the more tongue in cheek exterior - a scene with assassins chasing Bond's fellow agent through dark woods is unusually gripping and visceral. Similarly, the film's subject matter remains far more grounded in reality than the standard grandstanding villainous world domination, with Bond's foray into the world of art forgery rapidly uncovering a plot regarding secret Russian border arms dealings and Cold War terrorism, leading for some intriguing topical political ruminations. The sturdy script perfectly balances witty humour with grim seriousness, though certain moments of distinctly overdone silliness the double-taking camel comes to mind come across as wince-worthy and out of place in a film of otherwise such staunch quality. Visually the film excels, as the lush Indian locations and skilled cinematography make for a more varied and visually sumptuous Bond outing, well complimented by John Barry's sweeping score. Furthermore, in the contemporary age of CGI bloated blockbusters, Octopussy continues the 007 franchise tradition of being a testament to practical stunt work, with a series of superb action set pieces and chase sequences - the pre-credits plane chase is typical Moore silliness but exhilarating all the same, and later showdowns on top of a moving train, through the Indian jungle and atop a moving plane cement Octopussy as one of the most sturdily action packed Bond films. The uncommonly strong cast, full of memorable character players add to the enjoyment and overall quality of the film. Despite unquestionably starting to look his age 56, portraying a character allegedly in his late 30s , Roger Moore one more captures his typical suave 007 charm, with a touch more of an introspective undercurrent, making his incarnation of the character more interesting in the midst of the superficial silliness. As the mysterious titular character, Maud Adams proves uncommonly dignified and a surprising strong dramatic female lead for the series. Louis Jourdan is cold, smooth and quietly menacing as villainous aristocrat Kamal Khan, and Kristina Waybourn gives a rather flat performance but is typically aesthetically pleasing as his seductive assistant. Kabir Bedi fills out the requisite "intimidating villainous sidekick" role in a particularly chilling and effective fashion. Unfortunately, character actor Steven Berkoff toes the line of over the top hysteria in a rather dated even at the time of the film's release portrayal of a fanatical Russian general. However it is wonderful to see yet more charming appearances from Desmond Llewellyn, Lois Maxwell and Walter Gotell as the irrepressible gadget specialist Q, consistently flirting secretary Moneypenny and kindly, wry Russian general Gogol respectively, as well as Robert Brown's debut in the role of MI6 head M after the tragic passing of Bernard Lee. A strong script, sumptuous locations, plenty of brilliantly executed action sequences and some quality casting make Octopussy one of Moore's most consistently impressive Bond outings, for those willing to forgive the occasional eye rolling moment of out of place silliness. While not one of the most iconic Bond films, Octopussy certainly stands out as a uniformly laudable piece of work, one which merits seeing by any fans of the series or those who enjoy their action and intrigue with a healthy dose of suave wit, 007 style. -8/10 <less> |