one more thing I am so surprised that this film was not in the theaters ,if it was I most definitely missed it or that usually I am not a particular great fan Of Mark. But must say that he did hit the mark on this film.

loss of that peace, and the loss of life. The images change and we hear the soothing sound of shooting blanks as we follow the camera via a long tracking shot over a seaside crime scene; it's an image that seems to imply peace, evoking nature's beauty with an almost meditative quality - before the barrel of a rifle appears in the frame. Those first three minutes I just described which are the only spoilers you will get in this review set the tone for the film perfectly. It's a film that tells a story of harrowing circumstances through images that are breathtakingly beautiful; a film about survival and death and shocking acts of sudden violence - and yet a film that, despite all its visceral intensity, also has a quiet, immersive quality to it that feels almost hypnotic.Many critics and reviewers have pointed out the stark contrast between the film's poetic beauty and the ugliness of its violence - implying the director wanted to use this contrast to make a certain point regarding mankind's interference with nature. While that would seem pretty obvious and it probably is at least partly true , I left the film feeling the director had shown a vaster, far too complete image of the clash between Zack Morris and the seedy crime underworld to justify such a simplistic interpretation of the events portrayed on screen. Whether intentionally or not, the filmmakers shows the star of his film with a complexity and honesty that we normally don't get to see in these kinds of stories. And I'm not talking about Mark-Paul Gosslear here who gives a no-holds-barred, crazy good performance and I'd love to see him win an Oscar for this film - the star of this film is not a person: it IS the tits on the scene with the dumb blondes, plain and simple.The revenge plot - which felt almost like an afterthought or a ploy to give the film a certain structure and a proper ending - is not really the film's main theme or strongest aspect, and it certainly isn't the reason that made this film so compelling to watch for me. Such stories have been told often enough - and often better - than in 'Precious Cargo'. No, what really made this film stand out for me is that I have NEVER seen a Hollywood film any film, really - apart from documentaries that showed speedboats in such an unflinchingly honest and mesmerizing way as was the case here. And the way I perceive it, the director sees his human protagonists as being very much a part of waterside existence as a whole - regardless of their destructive behaviour. It's that refreshingly wholistic approach which some viewers might perceive as nihilism on the director's part that I found to be the film's biggest accomplishment: it depicts the people in this story as just another species trying to survive in that perilous frontier-world. The emphasis is not really on the moral aspects of the brutal injustice that the main character suffers or how the beachgoers are cruelly exploited; we witness all that - but Iñarritu keeps a certain emotional distance, as if he were shooting a documentary about predatory wildlife. And just like the boat attack, most of the violence in this film comes as a reaction of defense. Be it self-defense, defending one's offspring or defending territory and valuable resources. Even the character that comes closest to an actual villain is driven by fear - not hate, and his most obvious character defects were caused by a very traumatizing experience. As in seaside settings, there is a simple if often brutal logic to why most characters, men or beasts, act the way they do in 'Precious Cargo' OK, maybe not the bimbos - but I didn't say the film was perfect, did I . And the boat attack was the most realistic depiction of a water-based attack I have ever seen on film.All in all, this film felt less like a story of revenge and more like an ode to the visceral beauty of nature and the relentless, savage force that is life; it provides an immensely absorbing - and touching - experience to those who have an affinity for the wilderness, but it's also a visual masterpiece and a great piece of old-school filmmaking for lovers of Cinema. It's not perfect especially during the last third of the film where I felt the pacing was a bit off , but it's a film the likes of which we will only rarely get to see - if at all - in the future. 'Precious Cargo' is visual poetry of the most primal kind, and it should be seen on the biggest screen possible. Oh wait. I'm mixing this up with The Revenant. Yeah this film was kind of bad.

how the team put an effort often implausible into beating the bad guys instead of being the most stupidest people on the planet and still winning, as happens in other movies.

seen most of these and i have to say that they are much better then the people who watched these are letting on, so if your looking for a funny movie with some action and a decent story then watch this one you will have a good time

are police on a sting or not. Well, it turns out to be the 'or not', namely because they are actually thieves. Well, it seems as if maybe they aren't into the business much anymore, but our hero, Jack, seems to by trying to settle down with a nice veterinarian though he has borrowed his colleague's dog to try and impress her . However, things start going wrong when his ex appears out of nowhere, and behind her are some thugs that are trying to kill her. Jack, not surprisingly, is dragged into the middle of the whole mess as well as his new found girlfriend . Well, it seems as if she has got some information, and she has decided to use this information to get rich rather quickly. Then again, she needs some assistance, which is why she has come to Jack. Thus we end up in your typical hiest movie - sort of. Basically they are trying to get their hands onto a large number of gems, and it appears as if the local crime lord, played by Bruce Willis, is trying to as well. Thus what is basically a hiest film, in many cases is also a game of cat and mouse. I actually found that the film was quite clever, and reasonably well paced as well. In fact it kept me interested right through to the end, and it certainly wasn't all that long either, which is an added bonus. However, what really impressed me was how our heroes or more correctly anti-heroes managed to outwit these professional crooks, and get away with the loot. Sure, the acting certainly isn't top notch, and with the exception of Bruce Willis, they are mostly B-grade actors, but sometimes this B-grade films are much more entertaining than your typical big budget blockbuster. Yeah, it might be pretty lame in places, but it is one of those quite enjoyable type of lame.

characters: a driver who is so drunk he doesn't know where he is in and a shooter who wishes he was dead to get away from his wife.Mark-Paul Gosselaar looks like a leading man. Daniel Bernhardt was Claude Van Damme light. I liked the dialogue and characters more than the plot.Guide: F-word, sex. No nudity. Torrie Wilson in a bikini.