RoboCop 1987 [Hindi](in Dubbed Hollywood Movies) RoboCop 1987 [Hindi] (1987) - Download Movie for mobile in best quality 3gp and mp4 format. Also stream RoboCop 1987 [Hindi] on your mobile, tablets and ipads
Plot: Detroit - in the future - is crime-ridden and run by a massive company. The company has developed a huge crime-fighting robot, which unfortunately develops a rather dangerous glitch. The company sees a way to get back in favor with the public when policeman Alex Murphy is killed by a street gang. Runtime: 102 min Release Date: 17 Jul 1987
It's a shame that this movie is usually snubbed by shoving it into the "action" category. Sure, there are lot of legendary action sequences to be found, but RoboCop is a LOT more than that.Next time when you watch it, try to shift your focus from the cyborgs, explosions and gore towards the writing. From the main theme of criticizing the modern money driven society a topic still relevant today, and will most likely be so in the future as well all the way to the smallest bits of dialogue, the writing is nothing short of outstanding. RoboCop is simply the most intelligent <more>
"action" film to come out of Hollywood, ever. Unfortunately, the cleverness is hidden "between the lines" of comic book action. No wonder so many people fail to see this film for what it really is.Amazing cinematography, solid performances especially from Kurtwood Smith and Miguel Ferrer , memorable musical score.. The list is endless. Granted, the stop motion effects of ED-209 look quite old today, but you have to remember we're talking about a movie made in 1987. RoboCop has its faults, like the rather embarrassing toxic waste scene, but they are easily forgiven compared to all the good things.You must be thinking "What is this guy on? It's just a dumb little action flick about a cyborg!" .. Relax, take a deep breath and watch it again. I like obscure art films as much as the next guy, but I'm not going to dismiss such greatness just because it comes wrapped in cartoon violence. I'm not saying RoboCop is art, the best movie ever made or the most important film of the year/decade/millennium. But it definitely deserves to be regarded higher.My only question is: How could Verhoeven succeed so well with this movie, and fail miserably in ALL other Hollywood titles he has worked on?
The mix of science-fiction, action and social satire is just brilliant! (by Boba_Fett1138)
The success of this movie can be credited to one man; Paul Verhoeven. His special touch of violence, gore and social satire make the movie more than just your average B-movie, with a lame title and simple story and characters. Yes, without Verhoeven this movie seriously would had been nothing more like another B-movie on par with science-fiction/action movies like "Timecop" and Albert Pyun movies.The main story of "RoboCop" itself is simply and not that complex, however Verhoeven manages to put many different layers for the story as well as the characters in the movie. The <more>
social satire in the movie works out brilliantly and is what makes the movie perhaps more entertaining than thrilling or tense. Especially those typical Verhoeven news sketches are brilliant! But also those who will not be able to understand or fully appreciate the social satire elements in the movie, will have plenty to enjoy while watching this. The action itself is top-class and the characters are fun as well as cool. RoboCop himself looks awesome, both in his movements and the way his costume looks. Oh and of course I may not forget his awesome gun!The movie is not only filled with some typical Verhoeven social satire elements but also with some trademark Verhoeven gore and violence. The way Murphy gets killed is very graphic and disturbing. But as always in most Verhoeven movies is the case, the violence is so over-the-top that it's not really shocking to look at but almost more comical like because it's just so over-the-top. Especially what happens to Emil at the end, the gore is way over-the-top there and I absolutely love it!In a movie like this the characters are also always important. Especially the villains and yes, "RoboCop" has some highly entertaining and good villains. The group of Clarence, Leon, Joe and Steve are a bunch of entertaining, charismatic stereotypical villains. But also the more educated villains like Dick Jones Ronny Cox and Bob Morton a very young Miguel Ferrer who also isn't a very nice person. But also the mechanical villain ED-209 is extremely cool and dangerous looking. The stop-motion effects for him are of course heavily outdated this days but it takes away nothing of his threatening appearance. All of the character are entertaining and well developed. Characters also worth mentioning are The Old Man Dan O'Herlihy who plays the president of OCP and you can tell by his face gestures that he's not very pleased with the direction Dick Jones is heading towards with the company and Johnson who is always smiling. And of course let's not forget Bixby "I'd buy that for a dollar!" Snyder, he's a real classic! They should given that guy a real show on TV.Also the musical score by Basil Poledouris is what helps to make this movie a very memorable one. Poledouris delivers one of his best works. When will he finally get some more attention from the big awards? He has made some great stuff but he rarely has won anything of importance with it. A bit of a disgrace for such a wonderful composer.All in all this is a brilliantly entertaining science-fiction/action movie that simply is perfect in every way, mainly thanks to Verhoeven his input.10/10http://bobafett1138.blogspot.com/
A classic one of the best action films one of my all time favorites (by ivo-cobra8)
RoboCop 1987 is the finest cyberpunk action movie one of my favorite films of all time. I grew up with this movie, it has a special place in my heart and I love it to death. Here you have everything: brilliant story, good actors, stunts, puppetry, models, and good Special Effects. This is Paul Verhoeven and Peter Weller's best movie from the 80's they ever made. I used to had this movie on VHS but over the years the tape was eaten from VHS recorder so that I couldn't watch the movie properly anymore. 3 years earlier I got this movie on Blu-ray Unrated director's cut and my <more>
Blu-ray player scratched and eat the Blu-ray disc so I purchased the director's cut again on Blu-ray and I was blown away with the movie how good it is. RoboCop it's not an action in the film itself, that makes this be the case. This is especially odd in a movie with a $50 million budget in 1987! , with multiple huge explosions, with hundreds of bullets fired, and scores of stuntmen used. 30 year's anniversary is coming in July since the movie was released and it is a shame that Miguel Ferrer aka Bob Morton died this year in January R.I.P. we miss you. This movie is what it is, a perfect 10, because it takes the vision of one of the most imaginative directors on Earth, and realizes them almost perfectly with all the tools that fit the task.The movie it self has heart and soul in it, the fact is you have a human being who loses his humanity and it brought back to life, he is resurrected and he is a superhuman super cop who once again regains his humanity and his trouble been robot and human. When Alex Murphy Peter Weller takes off his helmet we see a sad mourning man who lost everything. I felt really sorry for Alex who was shot and killed I was really moved and sad by his death who lost his family. Peter Weller stars in the film as Alex Murphy, a Detroit police officer who after being gunned down by a vicious gang, is resurrected by a mega-corporation as the cybernetic law enforcement officer of the future. As he begins his new life as "RoboCop", Murphy starts to regain a bit of his humanity with the help of his former partner Anne Lewis Nancy Allen . The popularity of the RoboCop character would spawn a RoboCop franchise consisting of, among other media, two more feature films, a 1994 live-action series, two animated television series, a four-part movie miniseries as well as a 2014 remake.Actors Peter Weller, Nancy Allen, Ronny Cox, Kurtwood Smith and Miguel Ferrer do all job well and they deliver the movie as an entertaining action flick. I love the puppetry of droid ED-209 who has a lot of fire power and the costume and the suit for RoboCop was beautiful designed. Themes that make up the basis of RoboCop include media influence, gentrification, corruption, authoritarianism, greed, privatization, capitalism, identity, dystopia, and human nature. It is an rated R action film and I wish there would be movies like this today. I love the Music score by Basil Poledouris which it is my favorite score and it is a classic orchestra. The stunts are completely insane in scale we have a lot of glass scenes like Ed-209 fires cannon guns on Robo and he flies trough glass door. Robo fires his gun on Dick Ronnie Cox and he flies trough window. Robo punches a terrorist in mayor's office and he falls from the window. Of course, this wouldn't be an action movie without some action. There's plenty of it, and it's perfectly done. The gunplay is delivered in perfect Verhoeven style as opposed to the slo-mo John Woo-style -- you'll see lots of heavy automatic, shotguns and explosive cannon weapons, and you'll see them used well. The film is violent, and bloody with real blood squibs.It is also up to the script to deliver the real substance of the movie. One often sees great performances in mediocre films... here the story transcends the performances -- an impressive feat. The script delivers. The film is absolutely filled with great, classic moments I counted TEN all-star ones during my last viewing , and they're evenly spaced through the movie. I love how RoboCop prevents two armed robberies, a rape which he shoots the rapist in the dick, he bust a drug factory on by him self, he stops and punches a terrorist and saves the hostages in the mayor office, he stops a violent gang by himself and he stops a corrupt business man. Best scene: ED-209 moves its right gun-arm cannon on RoboCop Peter Weller but Robo grabs it and shoves it away just before ED fires. ED continues firing as Robo shoves the gun towards ED's left gun-arm, destroying it. ED-209 fires one of its missiles at RoboCop. The missiles were actual rockets guided with wires. RoboCop is a 1987 American cyberpunk action film directed by Paul Verhoeven and written by Edward Neumeier and Michael Miner. The film stars Peter Weller, Nancy Allen, Dan O'Herlihy, Kurtwood Smith, Miguel Ferrer, and Ronny Cox. RoboCop 1987 is a classic one of the best action films my all time favorite action films of mine that defines my childhood. This movie has a heart, and that you cannot deny. Plus, it simply rocks. 10/10
Robocop is an unbelieveable experience. I haven't watched the film since 1988 and the other day I recieved it on DVD. So I eagerly popped it in the player and BOOM!!! The only way I can describe Robocop is ultraviolence. The film is so over the top and out of control. The film speaks of a future where big companies will run the governmental defense. Those times are upon us more and more everyday. Paul Verhoeven has made one of the most important science fiction films ever made and it's a brillant piece of cinema.
RoboCop (by jboothmillard)
From director Paul Verhoeven Total Recall, Basic Instinct, Starship Troopers , I remember watching this film a few times when I was younger, but I could only remember certain moments, so in my older days I had to see it again. Basically in the not too distant future in Detroit, the city is ridden with crime, and the police department have been bought out by Omni Consumer Products OCP , so the staff are going on strike. While Officer Alex J. Murphy Peter Weller has been transferred from Metro South to the West and partnered with Officer Anne Lewis Carrie's Nancy Allen the large <more>
corporate company taking over, run by senior president Dick Jones Total Recall's Ronny Cox , are trying to find new ways to lower crime rate, and they have developed new robot ED-209 that goes wrong before it can even go into action. While Murphy and Lewis are trying to track down a gang of criminals, led by Clarence J. Boddicker Dead Poets Society's Kurtwood Smith , the group beat up and shoot Murphy dead. One of the OCP employees makes another law enforcement robot to rival with Jones, with Murphy's corpse he transforms him into and creates RoboCop, a crime fighting machine with three prime directives: serve the public trust, protect the innocent, and uphold the law. For a good amount of time RoboCop proves himself as a worthy force for good and a great machine to clean up crime, with his gun skills, his ability to avoid injury, and his unrelenting attitude, but having the brain Murphy still inside him he is having flashes from his former life as a human. He is seeing flashes from when he was killed, more so after an encounter with one of the criminals, and flashes also include his life with his family, but with what is coming back to him he is finding a way to catch the gang and possibly have the chance to take revenge. Obviously Boddicker realises he is wanted by RoboCop, and Lewis recognised that it was Murphy inside the body of the robotic cop, and when he tries to kill the one bossing the gang, Jones, he discovers a fourth directive he was unaware of, that he cannot arrest or harm people who work at OCP. After a damaging encounter with the villain of the piece Murphy has pretty much completely remembered who he is, and with Lewis they hide out in a place the criminals will be gathering, taking of his mask, and ultimately getting his vengeance by killing them, and especially Boddicker. In the end RoboCop returns to OCP to prove that Jones is a criminal, and it is only after he is "fired" by the villain's higher in the company that RoboCop can kill Jones, and he walks away assuring the company he will surely carry on fighting crime. Also starring Miguel Ferrer as Bob Morton, Daniel 'Dan' O'Herlihy as The Old Man, Robert DoQui as Sergeant Warren Reed, Ray Wise as Leon C. Nash, Felton Perry as Johnson and Paul McCrane as Emil M. Antonowsky. The acting is good for all the parts, especially of course the leading star creating a magnificent cyborg police officer with mime like characteristics, the film is full of interesting ideas of how to create a "perfect" world, little pointers about the power of promotion and advertising, and niggles on social issues, and of course the sometimes comic violence and special effects really make this a fantastic satirical science-fiction action thriller. It won the Oscar for the Special Achievement Award for sound effects editing, and it was nominated for Best Film Editing and Best Sound, and it was nominated the BAFTA for Best Make Up Artist and Best Special Effects. Very good!
Masterpiece of science fiction, action and pitch black social commentary (by fertilecelluloid)
For the sake of posterity, I must register my opinion of "Robocop", but there's not much to say that hasn't already been said. The film is a science fiction masterpiece, but it's not a heavy-handed one like "2001" or a ponderous one like "Blade Runner". It is packed not only with action and the most explicit of screen violence, but with incisive ideas and frightening concepts about the future, many of which have already come to pass. Director Paul Verhoeven, who has made great films like "Turkish Delight" "Spetters", "The 4th <more>
Man" and the awesome "Starship Troopers", directs with amazing skill and energy, and injects a vein of black humor that elevates this to levels way beyond previous genre watersheds. No masterpiece lacks a brilliant screenplay, and the screenplay here is just that. Few science fiction films in history have so masterfully combined great ideas with violent action, sharp characterization and jaw-dropping special effects. The film's most brutal set piece -- the gunning down of Murphy Peter Weller -- is one of cinema's most harrowing and tragic achievements, a hard, cruel punch to the gut and emotions that sweeps us into the film's amazing second act. The performances are flawless, the villains are incredibly mean-spirited, and the special visual and make-up effects are superb. If you want to know how to make great science fiction, "Robocop" is a great place to start.
Robocop, born of technology is a cyborg, half man/half machine. The future of Law enforcement is here, and he's kicking ass.Alex Murphy was the unfortunate candidate chosen to be robocop after he was brutally massacred by a gang of scumbag criminals. And the robocop program was brought in, after the E.D. 209 An all robot killing machine proto-type failed so disastrously.Alex Murphy, now Robocop is effectively dead, but he still has a memory, and sets out on a quest to avenge his own Death, by finding the scumbags responsible.With some quite horrific violence E.D. 209 and Murphy scenes <more>
mainly and some brilliant action, Robocop is character that you will warm to, as he fights crime on a personal level.Solid entertainment 8/10
80s Classic That Didn't Need Remaking (by Theo Robertson)
In a crime ridden Detroit of the near future a corporate company OCP has the answer to fighting crime - invent a new type of policeman who won't go on strike . After the death of a policeman called Murphy they stick his body in to a metal shell . Murphy however can still remember a time when he was human I once did an evening film course called Talking Pictures which would involve watching a film then having a two hour group discussion on the film . I saw the filmography before the class started and the vast majority would be art house foreign cinema . The one exception was ROBOCOP and I <more>
knew instantly this was the one that was going to split the group right down the middle in to love it or hate it with no in between . True to form this how things worked out . Most the class despised it wondering why the class had to watch such a cartoonish commercial film . I however did state I loved it and considered it to be the third best SF movie of the 1980s behind THE TERMINATOR and ALIENS What makes ROBOCOP such a cerebral enjoyable film is the uncommon mix of social satire and no holds barred Verhoeven excess . While " greed is good " to a certain extent the idea of corporate capitalism is something to be rejected . A small self elected clique ruling over the Universe in order to maximise profits is a bad mix of capitalism meets self serving communism . Not so much a mixed economic system but more a combination of greedy speculators from one system being merged with the unthinking party loyalty of the other system . It's greed for money plus greed for power which is a marriage made in hell and being dead isn't enough to make you escape the clutches of OCP and the film revolves around the human element of Murphy remembering who he once was and it's this that is at the core of the movie Of course Verhoeven isn't a director who does sentimental mawkish stuff and I doubt if the audience was wanting to see a Walt Disney film . What they were wanting to see was bad things happen to very bad people and you can't help cheering as criminals get killed , maimed , mutilated and in one case melted . It's a violent film but one that is so cartoonish that the violence is not to be taken seriously , a fact reflected in the loud slightly unrealistic acting style . This attitude wasn't enough to stop its British network premiere on ITV becoming farcical with a TV version being broadcast with notorious lines like " you gonna be a bad mother crusher " along with key scenes like the ones with mister melty conspicuous by their absence There is of course a new version of ROBOCOP hitting the cinema this week but is a film I have no interest in watching judging by the clips I've seen of it . It's strange to think that another Verhoeven classic TOTAL RECALL was also recently remade . As it stands the original ROBOCOP remains one of the greatest genre films from the 1980s containing wit , satire and enjoyably mean carnage
"Robocop" is one of those movies that inspires debate, as well it should. The director, Paul Verhoeven who later became an even bigger player with films like "Total Recall" and "Basic Instinct" has definitely indulged in extreme violence and has no qualms about presenting violence as an object of fun. But I would defend it even if its only virtue was its action sequences because those elements are handled so well. There's a number of imaginatively staged action scenes, and it never devolves into an arcade-style shooting gallery like so many 80s actions <more>
films do. The action is compelling because of Verhoeven's style and because he's given the characters enough substance that we care about what happens to them, including at least a half dozen interesting villains.A lot of discussion has revolved around whether or not this film deserves to be called satire. Those looking for Moliere-like pearls in Verhoeven's modestly amusing commercial interruptions are understandably disappointed. This isn't the kind of movie that you can look at or objectify in order to access its ideas on an intellectual level. It's a different kind of beast: it must be entered into, it must fulfill its function as an action narrative first and foremost and it carries its ideas like a wedding train dragged by a semi-truck a prominent after-thought. At any rate I feel it's closer to camp than satire, one of the first camp action films of the 80s style I would argue "Remo Williams" being another, now largely forgotten . It's a good drinking movie, and this most recent time when I watched it my friend and I were laughing and yelling so much that we probably missed half the dialog. But I don't think we missed much of the point. If it was a satire, Robocop wouldn't emerge as such a serious figure invested with pathos and personality. The movie itself is best enjoyed in my opinion as a joyride with some interesting commentary about America's relationship to violence thrown in by way of farce; you wait for each villain to meet his fitting end and watch the carnage pile up. The villains are all so easy to hate, and all the actors playing them are having a lot of fun. Ronny Cox is fantastic as the corporate heel, but I've always enjoyed Kurtwood Smith the most. Really this is a very well-cast movie all around. I love the scene where Miguel Ferrer has his coke party interrupted by Smith with his bomb and his video. It's easy to underestimate the kind of skill Smith shows when he's so funny and obviously has his tongue in cheek but still manages to be convincingly sadistic and evil. Honestly, a comparison to Vincent Price in his heyday is not unwarranted.Weller for his part is adequate and it's a difficult role so that's no insult. I didn't care for Nancy Allen in the movie but I can't really put my finger on the reasons. I guess she just came across as very tentative. I think it was a small mistake for Verhoeven to have her play it in a more grounded mode; his butt-kicking females are more fascinating but he does always have problems directing female heroes see "Showgirls" and "Total Recall" for example .I think this is a pretty intelligent movie with some layers to it. It's better as science fiction than you would at first suspect, mining Frankenstein territory in a number of scenes particularly where the callous nature of the creator is shown "lose the arm" and when the police force turns on Robocop like the mob of angry villagers in Whale's film version. In Shelley's time perhaps a single scientist was a suitable object of terror, but by choosing corporate monster-makers the writers of this film gave the story a far more prescient object for paranoia. Indeed, even since I last saw the film in the late 90s, the film's central premise has become even more relevant due to America's misadventures with corporate security forces in Iraq. This time around I noticed all the elements of Western parody in the film. Not just the twirling pistol which also, interestingly, performs a plot function by identifying Robocop as Murphy but also in various other scenes. For example one poster here complained about the "generic" or obligatory nature of the convenience store scene and the rape scene where Robocop is introduced as a hero. I couldn't disagree more. They parallel the arrival of the hero in a traditional Western; the convenience store works for the trading post in "Shane", the nightclub scene doubles for a tavern brawl i.e. the beginning of "Rio Bravo" and the attempted rape parallels any number of damsel in distress scenarios. That's a very funny scene for me because of the way the girl goes up to Robocop after he rescues her and kind of drapes herself over him "My hero!" , a very prototypical American bit that you'd see in a Randolph Scott Western from the 40s. Robocop's sterile reaction is perfect, again a parody of the emotionless law enforcing gunfighter of the Old West of American mythology.I expect to find more and more interesting elements the more I watch the film over the years. I think recently its reputation has taken a slight hit look at the interesting life this film has had. Originally it was a big hit both in theaters and on video. Over the years it was not forgotten because action movie fans would return to it and be surprised at how well it holds up and how many ideas are floating about beneath the surface. Then based on their recommendations movie-goers of a more intellectual bent gave the movie a chance and were disappointed. It's time for the pendulum to swing back and for the movie to be reclaimed as what it is an intelligent violent film.