The Shape of Water [Hindi](in Dubbed Hollywood Movies) The Shape of Water [Hindi] (2017) - Download Movie for mobile in best quality 3gp and mp4 format. Also stream The Shape of Water [Hindi] on your mobile, tablets and ipads
Plot: From master storyteller Guillermo del Toro comes THE SHAPE OF WATER, an otherworldly fable set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa's life is… Runtime: 123 min Release Date: 22 Dec 2017
Many people misunderstood this movie! There is a twist in the story! (by TheKing87)
I was very skeptical about this movie from the very beginning, because I thought that this would probably be a dumb monster movie with a similar theme like "Beauty and the Beast". However, I was very surprised when I saw the movie and think that it was brilliant!After reading the reviews on this site, it is my understanding that many people that saw this move completely misunderstood it, both the people that loved it and the ones who hated it. The theme of the movie is not something similar to Beauty and the Beast for those who might think that! There are several themes in this <more>
movie, but the overall theme is about minorities and how privileged people view those who are different. However to make this message more clear the movie is set in the 1960's, where minorities were generally marginalized. The lead character Elisa Esposito is a mute woman, who was an orphaned child that was found in a river with wounds on her neck and communicates through sign language. She works in a government laboratory as a cleaning lady. Her friends are her co-worker Zelda, a black woman who serves as an interpreter for Elisa, and her next-door neighbor Giles, a closeted gay man. Elisa discovers a mysterious creature in the facility and begins to bond with it. The creature is a mute humanoid amphibian that was captured in a river in South America by Strickland, who is in charge of the project to study it.Elisa is the main protagonist in this story, and together with Zelda and Giles, they represent a social minority. Women, handicapped people, black people and gay people are all amongst those that were outcast by society at the time. On the other hand, there is Strickland who is the main antagonist in the story and he represents the privileged people at the time. He is a white man in a privileged position, married with children, religious, and is hostile to those who are not like him. He treats the creature hostilely, beats and abuses it, and calls it a monster.When Elisa learns that Strickland plans to vivisect the creature, she hatches a plan with the help of her friends to free the creature and keeping it in a bathtub at her apartment and planning to set it free in the ocean. Elisa and the creature bond romantically and it is revealed that the creature has healing powers.When the day arrives to set the creature free, Strickland arrives and shoots Elisa and the creature. The creature heals itself and kills Strickland. The creature takes Elisa and jumps into the ocean where it heals her. When the creature applies his healing touch to the scars on her neck, she starts to breathe through gills.Here is the TWIST: This scene reveals that Elisa was of the same kind as the creature all along. She just had a more human like form than the creature. There are different clues throughout the film. She was found as child next to a river like the creature. She was found with the "scars" on her neck and they turned out to be dormant gills as the creature healed her. She was mute like the creature. She loved being in water as shown in her morning habits. She was initially attracted to the creature whereas most people would fear it. She comes from a Spanish speaking country, as her last name is Spanish whereas the creature was found in a river in South America.The creature itself and Elisa represent a minority, as they are alike. The fact that the creature is different yet human like, symbolizes how privileged people viewed minorities at the time. The point of the monster is simply to symbolize how we sometimes view other people that are different from us.The message of the story is this: You view other people that are different from yourself as "monsters" if you don't try to understand them. However, if you try to understand people who are different from yourself, then you will see that we are basically all alike even though we look different.I think this movie was brilliant and very clever. Guillermo Del Toro did a great job. It is definitely a movie worth watching.This is my point of view and I hope that you found this helpful.
Typical for a beautiful movie to be underrated by most people. The difference in meta and user score was to be expected. In my experience, this movie was captivating from the first scene and ended on a high note, with a simple frame, music and quote. Del Toro takes you on a journey, that never goes full-blown fantasy. The minor details in both film and music are sublime. It really brings the story to life. In my opinion, this is one of those movies that don't need any questions. You have to experience is. Perhaps it is a story that is only enjoyable for people that daydream. The ambiance <more>
and message are set up in a way, a hopeless romantic could feast on for days. Seeing as most Hollywood movies are complete rubbish, this one really shows what a movie is capable of. Bringing the love of a celebrated director on screen. Go see this movie!
Guillermo Del Toro's Best Film So Far ! (by ecastrodesign)
Guillermo Del Toro's newest film "The Shape of Water" took my breath away. Easily this is Del Toro's finest film since "Pan's Labyrinth" and may even be his best in general. This is a film where Del Toro weaves magic throughout with a story he created which is simple, yet layered with such interesting facets embedded in each character, set, and prop as he allows the audience to discover this intimate and fascinating world of "broken" people searching for a moment of meaning. Captivating from its opening scenes with haunting visual imagery, and a <more>
lyrical score by Alexandre Desplat, one is immediately enthralled by this fairy tale that is not your usual saccharine variety that Disney cranks out.Del Toro knows how to tell a story with wit, style and heart. Assembling a cast headed by the incandescent Sally Hawkins in the role of Eliza who is mute throughout the film, but exudes such humanity and strength along with the villainous Michael Shannon who provides a great balance. Every single actor sparkles because every character has been developed with great care. Richard Jenkins and Octavia Spencer shine in their roles bringing a touch of quirkiness and humor to this sometimes dark story.The film is achingly nostalgic with glorious production design by Paul D. Austerberry evoking the Baltimore of 1962 full of fascinating textures of faded glory, especially in the magnificent design of Eliza's apartment and hallways. Exquisite camera work by Dan Laustsen and beautifully designed costumes by Luis Sequiera contribute greatly to complete Guillermo Del Toro's vision.This film is really the ultimate version of "Beauty and The Beast" with a touch of "ET", capped off with a very emotional investment, that pays off for the audience in its poetic and lyrical final scene. Certainly one of the finest films of 2017.
Real love under unreal circumstances. (by damian-fuller)
To communicate or not to communicate. Sometimes is just out of fear that we don't come close to the ones who can give us exactly what we need. They're different, let's stay away. Sally Hawkins in a magical but beautifully real performance invites us to try, to dare. Guillermo del Toro takes us through the paces with extraordinary delicacy and clarity of vision. Thank you.
Love (by BiiivAL)
As the director of the highest class, Guillermo del Toro showed himself at the beginning of his career when he happened to put a charming Chronos and truly frightening "Mutants", which allowed the Mexican master to gain a foothold on American soil and continue further creative research. Each film del Toro, whether it be frightening mysticism, horror or screen adaptation of a graphic novella, has a powerful emotional charge, profound reasoning and breaking any barriers by the power of love, to which the director has a special relationship. Invariably putting his hand to writing the <more>
script, the director does everything necessary for the veil of special effects to reveal the true feelings between intelligent creatures who understand the true value of relations between loved ones. For del Toro, it is not important what kind of love grows in his paintings. It can permeate the relationship of a man and a woman, or vice versa, have a strong kinship. Value has only a manifestation of its essence in all sensual beauty. And then even the most impenetrable gloom retreats to the side, leaving only light on the review, which it is not possible to overcome other feelings. "Hellboy", "Labyrinth of the Faun", "Crimson Peak" and other author's achievements del Toro always attracted special attention from the audience. When the director could bypass the intrusive attention of producers, a truly unforgettable show comes from under his hands. The same is the "Form of water", a rich, catchy and at the same time delicate work that keeps us in suspense until the very end.So, the plot of the film unfolds in the early 60s of the last century and introduces us to the silent cleaning lady Eliza Ezpozito Sally Hawkins , who managed to get a job in a secret government laboratory. Having found herself far from the city noise and a society that she can not accept the way she is, Sally is sitting out at work all day long and tries to do everything necessary to avoid paying too much attention to her. And let the work with the mop and buckets do not bring her special pleasure, the heroine finds time to delve into her own thoughts and create in the imagination a wonderful world in which no one else can penetrate her. Having no close friends, much less a lover, Eliza tries to look for joy in sheer little things and for a long time nothing foreshadowed the rapid development in her personal relationships, when suddenly the girl seems to know the most important secret around which the secret laboratory's activities are built. It turns out that under the care of the sinister Colonel Strickland Michael Shannon is a sensible amphibian Doug Jones , an unknown creature trapped in a closed reservoir and amenable to constant experiments. Accidentally meeting with the marvelous creature with a glance, Eliza suddenly realizes that this meeting is far from accidental and it is quite possible that a feeling arises between it and the amphibian, which can not be designated otherwise than love. And when it becomes known that the underwater guest faces a deadly danger, Eliza will not sit aside, since for the first time in her life she has found a soul mate and is ready to sacrifice everything for the sake of her salvation. "The shape of the water", undoubtedly, stands out with special importance against the background of the other works of Del Toro, since it was born at the moment when its creator had already visited the peak of universal adoration, and then dabbed the reputation with ambiguous projects and decisions that called doubts. But for all his creative mistakes Del Toro not only did not lower his hands, but became only a more perspicacious and skilful creator, who with each new work is put more inspired and restless. Seeing us in the world of brutal servicemen, unfortunate cleaners and innocent magical creatures, the master used the motifs of classical drama and tragedy, surprised with serious emotional strokes and was not afraid to demonstrate strong feelings with all the staging power that not only amazes but also frightens, Like a real horror film. And in order for all the elements of the "Formula of Water" to converge, Del Toro needed exceptional actors, able to revive his characters and create experiences that would not have to be doubted. Fortunately, his idea interested only in respectable performers who could easily abandon a large fee in favor of serving the arts.Sally Hawkins, the confident and sought-after actress, who rarely trusts roles in big blockbusters, of course, became the soul of this film, but her talent and ability to get used to the images gradually becomes legendary. Agreeing to embody Del Toro's fantasies in life, Hawkins played a strikingly sensual role that attracts maximum attention and makes her soul sympathize with the tragedy of the unhappy girl's relationship with a creature from a different world. In turn, a good friend of the director, Doug Jones, was no less brilliant party to match Hawkins, and thereby allowed the actress to reveal the full range of dramatic experiences through the impeccable performance of the image of an amphibian man who caused in a dumb beauty a storm of unprecedented emotions for her. For obvious reasons, we again do not see the true appearance of Jones, but he has repeatedly performed in front of the camera a variety of strange creatures and in the "Formula of Water" reached the apogee of skill, after which it will be difficult for him to play a piercing role.In the end, I want to say that the "Form of Water" tells us a love story that is simple and yet unprecedentedly beautiful and soulful. Guillermo del Toro shot the film the way he himself wanted and thanks to this "Form of Water" looks like a really chic authoring film.
In Baltimore, in the early 60´s, the lonely and mute Elisa Esposito Sally Hawkins is the janitor of a secret government laboratory where she works in the night-shift with her friend Zelda Fuller Octavia Spencer . She lives in an old apartment above a movie-theater and she usually watches television with her other friend, her next-door neighbor Giles Richard Jenkins , who is a gay artist. When a creature captured in a South-American river and brought to the laboratory, Elisa feels curiosity and learns that he is an Amphibian Man Doug Jones . She secretly feds him every night with egg and <more>
listens to music in his room, and they become close to each other. However the security agent Richard Strickland Michael Shannon is bitten by the creature and loses two fingers. He meets General Hoyt Nick Searcy and convinces him to eliminate the creature. When Elisa discovers, she decides to rescue the Amphibian Man and release him in the sea. The scientist Dr. Robert Hoffstetler Michael Stuhlbarg , who is a Russian agent, decides to help her. "The Shape of Water" is a romantic dark fantasy film by Guillermo del Toro with a beautiful and bizarre love story. Elisa is a sort of the Beauty and the Amphibious Man would be the Beast in this mature film. The cinematography is amazing in an environment of the early 60´s in Baltimore. The performances are top-notch and the soundtrack is top-notch. "The Shape of Water" was awarded with the Golden Lion in the Venice Festival and many awards in the Golden Globe. It was also considered one of the top ten movies of 2017 by the American Film Institute. My vote is nine.Title Brazil : "A Forma da Água" "The Shape of the Water"
A Delightful Fairy Tale From Del Toro (by bastille-852-731547)
Guillermo del Toro is back with this visually stunning and thoroughly entertaining adult fairy tale. While this movie does not quite live up to some of his previous films i.e. "Pan's Labyrinth," it is still a great film in its own right. When one begins to watch the film, the first thing that the viewer will notice is the luscious and stunning visuals. These aesthetic qualities are all the more superb and stunning when one takes a moment to realize that they were done with practical effects rather than CGI. As usual, the visionary style del Toro takes to envision his creature <more>
and sets is incredibly impressive. Alexandre Desplat's score, with its simplistic, unpretentious and almost low-key charm, is also thoroughly riveting.The plot, which centers on a janitor's relationship with a creature kept in a research lab during the Cold War era in Baltimore, is entertaining throughout. The film is paced well, and never drags or feels tedious. The acting on display in the film is good as well, with a solid performance from Sally Hawkins in the lead role, a show-stealing supporting performance by Octavia Spencer, and a darkly powerful turn by Michael Shannon as a supervisor who serves as the film's sadistic villain. It is also important to note how the film is enhanced by its use of classic filmmaking tropes, which are managed well as to feel original rather than clichéd or too old-fashioned. They give the film a unique layer of depth to it that helps work hand-in-hand with its stylish aesthetic and unique mix of charm and darker themes. The only criticism I have of this film is the fact that there is a lack of individualization or characterization of film's supporting characters; these characters seem solely memorable based on a single personality trait. Otherwise, this is a skillfully made fantasy film and one that I would recommend very much. 8.5/10
With "The Shape of Water," Guillermo del Toro has crafted a wondrous fairy tale for adults. Many are saying it's not as good as "Pan's Labyrinth," but I didn't much care for that movie and liked this one much more. It's anchored by a marvelous and silent performance by Sally Hawkins, as a mute cleaning lady in a government installation during the Cold War who falls in love and tries to rescue a strange, amphibious being who is wanted by both the American and Russian governments. She's aided in her efforts by gay next door neighbor Richard Jenkins and <more>
work partner Octavia Spencer. It's notable that the three principal characters are people pushed to the fringes of society because of various things "wrong" with them from the perspective of 1960s America: being handicapped, being gay, being black. That a rag tag group of disenfranchised misfits dare to go up against the government and military establishment of a world superpower gives the film both a tremendous rooting interest and mirrors what's happening right now in American culture, in which groups who previously had no voice in the cultural conversation are now being heard loud and clear.The one thing I did not like about this movie is what it chooses to do with its villain, played by...who else?...Michael Shannon. I guess he's meant to represent the white establishment, but del Toro and Shannon take the character too far, turning him into a nightmarish psycho, when really the story would have been more interesting if the villain had remained more of a faceless institution rather than one single crazy dude with a score to settle. del Toro also can't resist the urge to peddle in gratuitous and graphic violence, most of it connected to Shannon's character, and which doesn't really serve any purpose other than to pull the audience out of the movie. The film doesn't need it and would have been better without it.Still, even with its flaws, "The Shape of Water" is a visually absorbing and evocative beauty and the beast tale with one foot planted in old Hollywood and the other in our current unsettled times.Grade: A
Bizarre adult fairy tale love story (by Vartiainen)
It's the 60s, the era of Cold War. The Americans are living their dream, while at the same time fearing the nuclear bomb and the Red Threat. Spy game is in full bloom and both of the great nations are vying for technological supremacy. In the midst of this, a most curious specimen arrives at a space research laboratory in Baltimore. A being unlike anything seen by modern science. But curiously it's the mute cleaning woman, who best seems to understand this beastman.Guillermo del Toro has always traveled down his own path. In fact, I'm unsure whether he even knows the main path <more>
exists at all. With The Shape of Water he returns back to the genre of adult fairy tales. Quite like his previous film, Pan's Labyrinth. And truth be told, these two films have much in common. Both feature female characters struggling between two worlds, those of myth and reality. In both the myth offers an escape both from the fears and horrors of the real world. In both it's the reality that reveals itself to be the source of true evil.That being said, there are differences. The setting is quite different, changing war-torn Spain for Cold War United States, though both of these locations are treated with a critical and nostalgic touch, although the films don't forget to have a smile every now and then either. And whereas Pan's Labyrinth was told through the eyes of a child protagonist, reflecting and talking about the fears and challenges of childhood, The Shape of Water has as its main character a woman. A sexually frustrated, lonely woman. And the film reflects that quite nicely. It's a risque film in many respects and I doff my hat to del Toro for having the guts to go all the way.It's also a beautifully acted film. Sally Hawkins is marvelous, especially having to play a mute person. Yet her soul is laid bare in front of us and we struggle alongside her through her hardships and victories. Michael Shannon as Colonel Strickland gives a great performance as well and I do feel he was slightly snubbed in not getting an Oscar nomination.If I was forced to choose, I would say Pan's Labyrinth is the better film. But it's a minute difference. The Shape of Water is a beautiful, thoughtful film that shows del Toro to be one of the best storytellers of our time.