Arrietty(in Hollywood Movies) Arrietty (2011) - Download Movie for mobile in best quality 3gp and mp4 format. Also stream Arrietty on your mobile, tablets and ipads
Plot: The Clock family are four-inch-tall people who live anonymously in another family's residence, borrowing simple items to make their home. Life changes for the Clocks when their daughter, Arrietty, is discovered.
Runtime: 94 mins Release Date: 29 Jul 2011
Now, unless you live in Japan and actually made it to one of the opening showings, I'm probably the only person reading this who has watched Arrittey so far. As such, I'm going to try my best to review the movie without giving any real spoilers away. And the first thing I have to say is, I thought Arrietty the Borrower was a wonderful movie. The entire film had this amazing feeling of being both unique from other Ghibli movies while still maintaining the parts that make almost all of the Studio's films so great. On the one hand, it had the huge imagination and fully realized and <more>
fantastically detailed world of a Miyazaki movie. On the other hand, it had a unique feeling of bittersweet melancholy and wonderful character interactions somehow unlike most of the films that have come before it. While Miyazaki's screen writing clearly had some great effects on the movie, I could really feel the new directorial style of Yonebashi shining through. And it was so hard to believe this was his first film; I often feel like I should give Miyazaki Goro some slack for Earthsea because it was his first movie, but Arrietty just seemed so well thought-out and put together comparatively. This really makes me beyond excited to see what Yonebashi does in the future. There are many aspects of the film that deserve mention for how damn well-done they were; the beautiful animation, the strong voice-work, the great characters, the fantastic music. What is easily one of the standout points of the movie was how incredibly immersive the tiny world of the Borrowers was. Every part of their home, located beneath a pile of unused bricks stored under the human house, is made of small everyday items we hardly think about forgot junk that the Borrowers used so well as tools, furniture, decoration, everything. The sheer size of everything in comparison to them is striking, creating a strange world of adventure and dangers that are really just the most common, ignored of things to us humans. Perhaps my favorite scene is one where, very mild spoilers here, Arrietty's father takes her borrowing for the first time. They walk nimbly across nails sticking out from the foundations of the building, use construction staples as ladders, bouldering over the to them boulder sized junk lost between the walls of the house. Far bellow a few mice, the size of lions, scurry in the gloom, their eyes burning red. When Arrietty and her father final exit from between the walls into the darkened kitchen at night, the sheer enormity of the room, the intense sound of the looming and massive refrigerator, the sheer walls that compromise the sides of cabinets, they all take the breath out of both Arrietty and the viewer. That entire scene, where they use ingeniously use tiny household items to scale the counters to raid for sugar cubes a third their size, is simply amazing to watch. So many magical scenes like this made up the entire movie, but that was perhaps the best of them all. The characters are for the most part wonderful as well, though in some ways more subdued than Miyazaki tends to make his own. Arrietty is another in the long line of string Ghibli heroines, but like all of them manages somehow to be unique and wonderful all by herself. She's a young girl who's confident, kind, and capable, but is still unsure of herself at time. Sho, the young human she meets and the other main character, is a very strong character as well, his weak body and strong spirit in conflict, with a air or both peace and melancholy about him like much of the movie, really . Another one of my favorites was Arrietty's father, who was both strong and quite, but in his own gruff way very kind and a great father. The rest of the cast is very good, though not quite as memorable.As for the music for by Cécile Corbel, I'll admit that at first I was a little skeptical, but in the end the music fit the movie incredibly well and became another fantastic Ghibli soundtrack which says something when you're included in the ranks among Hisaishi Joe . I love Celtic music myself, but those without that bias the other 10 people I went with all thought the music was one of the high points in a movie with a lot of really good points to discuss. This really was an amazing first outing for Yonebashi as a director, and really one hell of a movie. My only complaints are that perhaps at times it seemed to slow down during the second half, but in the end it turned out so well I can hardly fault it for that. The movie had a sort of bittersweet feel that I really can't think of another Ghibli movie to compare to. Sad, joyous, and beautiful, Arrietty the Borrower is the newest Ghibli classic.
Hope and melancholy in the Japanese summer sunshine. (by arijanian)
Sitting in the theater yesterday, I found myself peering up into the endless shadowy heights of a vast cavern, listening to the booming, deafening echo of a faraway...ticking clock.The dark cavern was the bedroom of our supporting lead, Sho, a boy with a brave but rapidly failing heart; but at the moment, I was standing in the lovingly handmade boots of our heroine and main character, Arrietty the Borrower. It was her first time exploring a human habitation, no small task when you stand barely as tall as a child's finger, and it was impossible not to feel some of her sense of awe and <more>
wonder at the gigantic world unfolding around her.This newest Ghibli film is filled with such tiny people, but nevertheless stands a cut above the studio's recent releases "Howl's Moving Castle", "Tales from Earthsea", even "Ponyo" , delivering a warm and evocative experience that stays with the viewer long after leaving the theater.Pacing and plot have been stumbling blocks for Ghibli in recent years, with their otherwise delightful films spinning wildly out of control in visually fascinating but bewildering finales. "Arrietty" thankfully breaks this pattern. The film is beautifully paced and stays true to the spirit of its source material, establishing an engaging world and then carrying the viewer through a well-crafted tale that twists here and there without flying off the tracks before coasting to an ending that borrows nicely from the original while adding a few touches that feel just right. No incomprehensible final act here, just satisfying storytelling.However, what really makes the film a winner, in my opinion, is its masterful use of atmosphere. The sense of the balmy, lazy, sun- and rain-drenched Japanese summertime is beautifully conveyed and pervades every scene, helped along by Corbel's warm and wistful Celtic-styled soundtrack and gentle vocals, but just as memorable and far more unique is the sense of sheer scale.Since the beginning of filmmaking, plenty of movies have tackled the special effects challenge of portraying tiny people in a human-sized world, but although they've integrated their miniature stars more and more skillfully into their surroundings, few have given such a sense of the sheer size of those surroundings from the heroes' vantage. There's no such disconnect here, and Ghibli uses the versatility of animation to their full advantage. The view as Arrietty peers over the edge of a kitchen cabinet is dizzying. Scenes of climbing inside the hollow wall joists feel as hazardous as a documentary on spelunking. Coming in from the rain, Arrietty impatiently brushes clinging water droplets as big as her hands from her hair and clothes. The rustling of Sho's clothing as he stands or sits is like the unfurling of a schooner's sail in the wind, and speaking human voices although not pitched down to the uncomfortable point that full realism might require are sometimes underscored with an unsettling rumble. I left the film with a heightened awareness of my own vast ? size, scanning around me for spots where a Borrower might hide in the theater lobby or creep out to fetch stray popcorn kernels.Inhabiting this gorgeous world are plenty of charming characters: brave and spirited Arrietty, who shinnies up curtains like a monkey and draws her borrowed pin to stare down danger with a sound like Errol Flynn unsheathing a blade; her hard-working and stoically affectionate father, Pod, and fretful but loving mother, Homily; the young human Sho who longs for a friend as he ponders the possibility of his own extinction as well as the Borrowers'; his gentle-spirited aunt and their grubby-fingered housekeeper, who both have their own reasons to wish to see a "tiny person"; and an unexpected visitor who brings startling news to Arrietty's family.Fans of the book series will be delighted with the film's respectful and vivid adaptation of Norton's work--I know I was. Without spoiling too much that hasn't been shown in the trailers, I have three words for those in the know: Spiller. Stream. Teapot. And those unfamiliar with the material will find plenty to love in this version. It's hard to believe that this confident, solid work is the first film of a freshman director.For the first time in several years, I feel real confidence in the ability of Studio Ghibli to live strongly beyond its celebrated founders' legacies. Here's hoping this little film is a huge success, as it so richly deserves to be.
An uncommon anime out of a common story (by nibir201199)
It is the trademark of both the leading studios of animation, the Pixar Studio and Studio Ghilbi, that you just cannot hate their movies. This thing also applies on the latest release of studio Ghibli the secret world of Arriety. It is quite common in all the literatures to have something about little creatures. And the movies built on them are large at number too. So to make something out of a common material like this, is difficult even for renowned studio like Ghibli. They choose the softer path rather than a hard sophisticated path they had taken in earlier of their releases.Now the story <more>
of the movie is about the little people we thought to be just beside us in our childhood. Wait don't think Ghibli will go for that and make a adventure about this. Rather they made the anime about a boy who is very ill and going to die very soon. But after he saw the struggle of the Arriety family he understood that to never lose hope .He understood that it is hope that keeps man alive. That is how Ghibli studio made an amazing animation. So if you are free try the film you won't regret it. The music and the animation quality alone is worth giving a try.NB1: If this is your first film of studio Ghibli, I would say that you are very unlucky. I request you to watch at least these movies of studio Ghibli accordingly: 1.Princess Mononoke, 2.Nausicaa of the valley of the wind, 3.Spirited Away Oscar winner of 2001 and 4.Graves of the fire flies. I am optimistic that you will like these movies very much. If you like my review please read my other ones.NB2: Please try to watch only the Disney dubbed movies of studio Ghibli if that is not found it is better to watch it English subbed.NB3: Try to watch the real Miyazaki movies the Four I mentioned here and whisper of the heart in theaters or at night in a quiet place. Believe me I have tried this and I was able to understand the movies better.NB4: one of the main problems in Hayao Miyazaki's movies is the expectation. Here is some tips the four movies I mentioned here are real movies I don't like to degrade them by saying they are animes not cartoons. Howls moving castle and Lupin the third are animation movies and the rest are cartoons just like cars or toy story.NB5: Many people argue about the fact of watching foreign movies dubbed. I won't argue with them. I will just go with Hayao Miyazaki in the point, he told 20% of the movie will be lost if you read the subtitles instead of watching the movie.Special request: because of the kidified version of "Nausicaa of the valley of the wind" many people have rated it quite badly. So please watch the movie newly released in 2005 by Disney rate it according to your enjoyment and rate my review too.Many thank for viewing.
I went into this film with very limited expectations. I'm not especially a fan of animated movies, and have only seen a small handful of anime productions. So it came as a very unexpected surprise to discover that I absolutely loved this movie. It just seemed to get everything pretty much right. The visual artistry was quite beautiful, with a great deal of invention in the scenes where the little Borrowers navigate through the wide expanses of the house they live underneath. The music was quite stunningly appropriate, with the lilting Celtic sound just perfect in tone for this melancholic <more>
story, with some lovely vocal work too. And these images and sounds were combined together into a simple narrative that had an enormous amount of heart to it. I felt a warm buzz long after leaving the theatre.The Borrower Arrietty is a beautiful film. I cannot really find fault with it. So from this reviewer who has very limited knowledge of anime I give it a near perfect nine.
This was stunning. I saw it just days after going to the Ghibli Museum in Japan, and it was breathtaking. I'm glad since I loathed the last Ghibli film I saw Pom Poko . Arriety is the exact cure needed for such loud and obnoxious 3D CGI movies that come out every other week. It's quiet and full of soul. There are moments here that you wouldn't even get in a live action movie. Subtle moments of life and nature, that the animators could have saved time and money by not including them. Luckily for us, the details are all present. A shot lingers just long enough for a ladybird to <more>
take flight, or the mother to stir her tea after a conversation. What Ghibli understand, more than anyone, is that kids don't need bright/crass/non stop films. The quiet nature of Arriety is so relaxing, with gorgeous music from Cecile Corbel. First time director Yonebayashi shows that Ghibli has much more life and talent to give. I was very familiar with The Borrowers, and was a bit disappointed I was getting something original from Ghibli. I'd already seen the excellent TV Mini-series and the over-the-top American film with Goodman. Ghibli have taken everything great about the story, and toned down the designs and motives, making this a realistic and engaging fantasy. The father is stoic and caring. Arriety is adventurous, but never annoying. Her heart is in the right place, but she doesn't get into a ridiculous amount of trouble. Being Ghibli we get a lovely little cat character, Niya. The designs are ace, and the world of the borrowers and the human beans merge beautifully.
Studio Ghibli have been responsible for some of my favourite animated movies, especially Spirited Away, Princess Mononoke, Grave of the Fireflies, Castle in the Sky and My Neighbour Totoro. In fact I haven't seen a Ghibli I dislike, even their weakest Tales from Earthsea while problematic is worth a viewing. Arietty is not one of Ghibli's best, but that doesn't stop it from being a truly charming film. As with all Studio Ghibli's work, the visuals are stunning, with the colours especially having such an ethereal quality to them, and the music has a pleasant Celtic lilt making <more>
the movie even more beautiful than it already is. The script amused and touched me, and the storytelling doesn't rely on wisecracks and action not that it's a bad thing as such but instead it is subtle and gentle with a lot of charm and heart, letting us bond emotionally with the characters and their world. True, the ending is a little bittersweet, but considering the storytelling it worked I felt. The characters, especially Arietty, are likable and engaging, and the voice work is terrific, the standouts being Olivia Colman, Geraldine McEwan, Mark Strong and very talented child actress Saoirse Ronan. Overall, a very charming film. 9/10 Bethany Cox
Not a Miyazaki Masterpiece, but still a wonderful, typical Ghibli film. (by nandykins)
Let me start off by saying that the film is not a masterpiece - the storyline, development, interactions and plot is rather dull, simplistic and boring - this is not a film to appease fans of complex dramas.Why do I give this film an 8/10, then? The reason why, is because this is not a film intended to be thought-provoking or philosophical - this is a film about the existence of a world entirely parallel to ours, a view of our daily life from a different perspective. It's an adventure into the unknown, an insight into a culture so similar yet so mysteriously different. It is a typical <more>
Studio Ghibli piece in this regard, and that is a Good Thing.The presentation of the film is brilliant and worked very well. The magnitude and immersion with which the Borrowers' forays into our daily lives is shown never ceased to impress me. The visuals, artwork, animation, sound and music played together perfectly.Overall, the film is colorful, cheery and entertaining. If you watch it with high expectations you'll be disappointed, but you won't regret relaxing and enjoying it.
http://bit.ly/qEdJCpYou can't beat hand drawn animation. No matter how realistic your computer generated image is or how much the train conductor looks like Tom Hanks, you can't really compete with the beauty of Ghibli's animation. And that really comes across when seeing this new offering on the big screen. Along with some descent English dubbing and the humour that always accompanies tiny people with giant sugar cubes, Arrietty is the usual charming goodness from team Ghibli.Arrietty is The Borrowers in fact many cinemas are calling it just that Tiny people live under the <more>
floorboards of a house where a young boy with a heart condition is gathering some much needed rest before his impending risky operation. They hide themselves from us humans waiting until night to sneak into our homes and 'Borrow' the things we wont miss, like sugar cubes and tissues. The majority of the fun in this film comes from watching the tiny borrowers clamber around the shelves using string to rappel off cupboards. Olivia Colman Peep Show, Hot Fuzz Is brilliant as the panicky Mum of Arrietty constantly fretting about the humans and her daughter running off all the time. Geraldine McEwan Miss Marple is also great as Haru, she is a classic creepy Ghibli old lady and some of the noises she makes are making me laugh just now thinking of them. It's easy for kids to follow and endlessly beautiful to watch. Not really surprising that they have done it again and thanks to Pixar dropping the ball again with Cars 2, Oscar this year please?See http://brotherscinemazov.blogspot.com/ for more on all things film.
A great film. I agree mostly with the 10/10 reviews above. Excellent artwork, great attention to the details of the lives of 'The borrowers' and their habitat. The music by Cécile Corbel was great, especially in a Japanese theatre where they bother to do decent sound calibration and have great dynamic range unlike the UK ; I did at points feel like it had been inserted rather forcefully and that integration with the general BGM could have been smoother.As a side note I have read a lot of complaints about Cécile Corbel's music for this film saying that the Japanese accent is <more>
terrible and it's not traditional but would like to point out that just because someone may enjoy traditional Japanese culture doesn't mean that modern Japanese culture does not appreciate foreign talent and that foreign culture plays a huge role in the modern Japanese lifestyle.I would not down-rate this film on sound alone, though feel it falls short of a 10/10 in the way that the story played out. The ending to the film attempts to be highly emotional, which I would expect, but for the wrong reasons. It implies a serious bonding of spirits between Sho and Arietti which wasn't allowed to develop during the film and so rather than the bitter-sweet feeling described in a previous review, it ended rather bitterly with Sho essentially being abandoned rather hastily with a clear emphasis on the potential relationship between Arietti and Spiller. All this resulted in the feeling of a shallow story with no discernible morals behind it, which far be it from a happy ending, in the original story morals were present; giving the story a reason why it was worth telling.So I'm giving this film an 8, it's a visual and aural masterpiece, but the 'borrowing' of the story, with no attempt to correctly adopt it for film and no show of a true understanding of its meaning leaves me content that I've seen a very impressive artistic demo.