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Quintessential Fifties Sci-Fi (by popgun9) |
There are no dull frames in this remarkable saucer invasion film set directly in the center of the fifties. Harryhausen met the challenge of animating flying machines. Sure enough, they whiz, spin, even wobble when need be. Saucers even have a protruding ray-gun device. The action begins during the credits and never lets up. Admittedly, it's fifties. But it was impressive enough to heavily influence Tim Burton's Mars Attacks. You can't miss the references. Film is packed with clever and creative touches such as the tape recording including aliens speaking at a speed natural for <more> |
My favorite movie (by mice-13) |
My sister took me to this movie in 1956 when I was 8. It shocked me. For two weeks I was afraid to go to sleep at night for fear of nightmares. Some years ago I bought a 16mm print and studied it. It has all the right elements for a nerdy kid with glasses: Beautiful Joan Taylor and serious Hugh Marlowe work well together. The lonely laboratory at night is a wonderful location, frightening when attacked. Dr. Russell A. Marvin removing the helmet from the alien is particularly creepy. We know so much more now about outer space, so to appreciate this you have to suspend disbelief and travel back <more> |
Pefection (by lordzedd-3) |
Here is a true classic in every sense of the word. It has great effects, the storyline works. So much so, that TIM BURTON steals a good portion of it in his send up of the invasion movie MARS ATTACKS. But I digress, the creature effects are very cool. I kind of wish I saw more of the alien without the helmet other then the dead one. But what can you do. Also, effects genius Ray Harryhausen does a great job. I just wish he never retired. Ray, there are still plenty of low budget movies you can save the only way your can. VILE 21 may not have been so vile if you were doing the stop motion. <more> |
Among the best space invaders to menace '50's drive-ins (by MartianOctocretr5) |
Sometimes aliens are nice like ET; other times they chomp you to pieces like Alien or Predator. Sometimes they zap you to kingdom come with ray guns; and that's the kind this movie features. This drive-in classic is a lot of fun to watch: the director treats the sci-fi fan who likes to see lots of "War of the Worlds" type mayhem to plenty of disintegrator beams, explosions, terrified crowds running in a panic, famous landmarks getting incinerated, and so on. Personally, I love this kind of stuff.But it isn't just unseen invaders annihilating victims in a rampage; there's <more> |
A brilliant example of 50s Sci-Fi at its best (by mnstorm) |
So why not 10 out of 10? Because there are a few 1950s Sci-Fi films that are actually better than this one... The Day The Earth Stood Still & The Incredible Shrinking Man to name two... but not many. This film has all the hallmarks of classic B-grade 1950s Science Fiction cinema. But let's get something straight right from the start; It does operate on the premise that Earth's read "White American" civilization is under threat from a hostile power, but all that hippie-era reactionary, university-liberal "Our old folks were paranoid about the Commies!" <more> |
Very good Fifties Alien Invasion Flick (by Rabh17) |
Even Better if you've NEVER seen it in Color. The script, the action, the characters are all from the Fifties-- but still watchable, even NOW, as a Saturday night flick.Best to watch with friends so you can tear it to pieces together!If anything, the aliens in TODAY'S films do a lot better job of flying than these do. When I first saw this in the late Sixties In Black & White -- I was wowed and awed. NOW-- I keep asking: Are those aliens on Crack or something? Don't they know that drugs and piloting don't mix? Take away that AstroLicense!!! |
UFO's AND Joan Taylor: Beam ME Up!!! (by Attillio) |
Certainly, the renowned/redoubtable Ray Harryhausen's special effects are absolutely superb in this 1956 sci-fi film. As several of the previous posters have already pointed out, the late Maj. Donald E. Keyhoe one-time director of the National Investigations Committee on Aerial Phenonema, based in Washington, D.C. served as technical adviser to this film. In fact, Maj. Keyhoe always maintained that alien ? spacecraft HAD buzzed our nation's capital, during the summer of 1952. Veteran actors Hugh Marlowe, Morris Ankrum and Donald Curtis who, I believe, portrayed "Prince <more> |
Exceptional 50s sci-fi flick (by MartinHafer) |
While this isn't as good as INVASION OF THE BODY SNATCHERS or THE DAY THE EARTH STOOD STILL, it is one of the better sci-fi movies of the 1950s. Even by today's standards, the Ray Harryhausen special effects are pretty good except in a few spots and it's great fun watching the city of Washinton, DC being destroyed by these evil aliens. Scenes of the UFOs crashing into the Washington Monument are really memorable and take this film to a higher level of interest. Plus, once the pathetic humans figure out a way to fight these aliens, it's a lot of fun to watch. Yes the aliens <more> |
Good representative of B-movie 50's sci-fi (by johno-21) |
This is a great example of 1950's sci-fi movies and the flying saucer scare craze that was sweeping the nation and of course parallels the cold war threat and the resilience and ingenuity of American science and military might. Retired Major Donald E. Keyhoe was the author of a series of non-fiction books of the era outlining his belief in the reality of flying saucers and this film draws from his book Flying Saucers From Outer Space. Veteran monster movie writer Curt Siodmak adapted a story based on the book for this film and veteran monster movie screenwriter George Worthing Yates wrote <more> |