practically feel every nuance of every human emotion. In terms of comical craftsmanship and sheer beauty of Hawk's boobs, this move hits a new peak of professionalism. The whole movie has a clear, crisp look and a new sheen of consummate professionalism that gives the script a big boost. He's been compared to Chris Rock, but I think Marlon has a more bitter, cynical sense of humor. Take the "Wesley Snipes tax" gag. In this segment, Marlon Wayans addresses the problem of abusive political authority. I think that this movie is Wayans' undisputed masterpiece. The script is so witty, that most people probably don't think about deep underlying themes, but they should, because it's not just about the pleasures of conformity and the importance of trends. It's also a personal statement about the author himself. Most importantly, Hannah's fiery monologue at the end of the movie encourages us to oppose racial discrimination and promote civil rights, while also promoting equal rights for women. Also, the masterfully crafted politically correct script reminds us that we have to promote general social concern and less materialism in young people.

this was still really funny. If you like movies such as Scary Movie, White Chicks and Dance Flick you will surely love this. Give it a try, you will not be disappointed.

of remakes on it's head. Marlon Wayans is fantastic, bringing his charisma, energy, and displaying the raw and powerful emotion we thought he had lost after Scary Movie 2. And how this film turned out to be the masterpiece of cinema it is is just an accomplishment. An insightful, hilarious and culturally sensitive film this is a special landmark and kicks off 2016 with art-house genius and style.

film is the best for it.I rate it 9 out of 10.

come out it 1 min and movie is full with this type comedy and the best dialogue i listen it is when the girl beating men with hunter and she said," And this is for the little white girl in Fifty Shades of Grey she had to be naked in whole movie! this is best dialogue. i don't know why it's IMDb rating is 3.5 i noticed people is not rating much to comedy movies but i give it 9 . some movies have low rating doesn't mean it is flop this is one not it earn doubled then it's budget. i don't know why the i am not watching it for a long time i thought it is just same as the Grey version but yesterday when i watched it's trailer then i got interest.

it surprisingly sticks to the story and scene structure as the other one, almost to the letter, with some cute changes, one I particularly liked. Here, this one really takes the p..s out of the 2015 bore snore. Exciting lead, Wayans, replaces our dull Dorman, really throwing spark into the role, in top gear as Christian Black, while this time, our English lit student/journo replacement/part time hardware shop worker, and ordinary, known as Hanna, not Anastasia Steele, is wonderfully played by Hawk. From comical whippings to dejected, non helicopter/jet rides, this Fifty Shades has it all. We have some really crude moments involving male anatomy, someone who's really well endowed, shall we say. Hanna Steele's more likable flatmate here, is a chubby Rebel Wilson type who craves sex and food, and food, and food. Again we have many movie references something I'm not really impressed by a bit too many here, with a little bit of Zero Dark Thirty and I Spit On Your Grave 3, thrown in as well, as well as the dropping of a famous Porky's easy lay character. A couple of surprising co stars show up in this, like a still radiant and refined, Jane Seymour, and shocking as it is surprising, a cameo by a much recently missed Brady. This one has better everything, better script, better acting, entertainment value and appeal, for a number of reasons, most of them, laughably related. Fifty Shade's haters will love this Fifty Shades, trust me. You want something done right, different and smart, get a Wayans to do it. Good show and well made pic too.

ignorance of bigots. The sexual content, as well as the sadomasochistic elements were low key and conservative, despite the R-rating in part for "some graphic nudity," which comprised obviously prosthetic phalli and scrota, and one left breast that looked better than real. Production values were more than adequate with a refreshing lack of distracting camera jitter. Performances were solid throughout, with all the actors committed to roles that weren't always flattering. Kudos to Jane Seymour and Florence Henderson for their unabashed performances, as well as to the rest of the cast. None of the actors seemed self-conscious in the least. My chief reservation is that they didn't push the envelope a little further. The bondage scenes and Steale's brassiere and panties ensembles became a bit repetitive. Some of the situations could have been mined for more humor.