Gangster Squad is an exceptional work of art revealing that there is no difference between an apocalyptic world ravaged by Zombies and a post-war City of Angels consumed by malevolent greed. The profound impact of Zombieland director Ruben Fleischer's skillfully crafted portrait of Los Angeles' kingdom of gangster in 1949 is grounded in how delicately he peels away the layers of the shocking and violent nature of human beings, yet manages to deliver a soulful and emotional journey into the compassion of humaneness. Set against the background of an affluent world dominated by power at <more> its most corrupt and evil, it deals with the relentless warfare between Brooklyn-born mob king Mickey Cohen Sean Penn , who runs the show in this town, reaping the ill-gotten gains from the drugs, the guns, the prostitutes and—if he has his way—every wire bet placed west of Chicago, and Sgt. John O'Mara Josh Brolin , a man who's come back from war, and can't quite figure out how to live in peace time. Ironically, with the outstanding Zombieland, Fleischer placed a group of ill-fated characters in an apocalyptic nightmare; the nightmarish hell of Gangster Squad is not sci-fi, but a fictional account of real life events that shaped our future and is prevalent in daily news headlines where innocent victims are killed in gang warfare. If there's one reason to this film, it's most definitely for Penn and Brolin's outstanding performances, well supported by Ryan Gosling as a charismatic cop, Nick Nolte as Chief Parker, Anthony Mackie as a switchblade-wielding cop, Giovanni Ribisi as a family man and electronics specialist, Robert Patrick as gunslinger Max Kennard, Emma Stone as Gosling's sweetheart and and Mireille Enos as O'Mara's wife. Although the film ultimately belongs to Penn and Brolin, it's a terrific ensemble piece where the faultless synergy and volatile energy between performers allow the characters to burst to life; Fleischer competently commands intimate moments that reveals the true nature of the characters, and vividly uses the language and visual dynamics of film to emphasise the world of the characters and how it motivates and controls their sometimes irrational behaviour A major contribution to the overall impact and success of Gangster Squad is Will Beall's exceptional screenplay. Beall, who launched his writing career in 2006 with the publication of his acclaimed first novel, L.A. Rex, after working for 10 years as a homicide detective and gang investigator with the Los Angeles Police Department, proves that if you write what you are familiar with, the truth and honesty of the telling results in superior storytelling that is provocative, commanding and laced with a wicked sense of humour. Fleischer knows how to make the most of a great script, and turns words into action that is visually arresting, spectacular and filled with meaningful intent. Los Angeles in the 40s was an era of affluence and corruption and Fleischer meticulously captures the period. He allows for a breathtaking visceral cinematic tour de force that culminates in an emotional connection between the audience and film; he masterfully uses the medium to bring the story to life. In one scene, when O'Mara vengefully approaches Cohen at Slapsy Maxie, the nightclub where Cohen spends his evenings dining with the public officials he keeps in his pocket, Fleischer uses Steve Jablonsky's powerful score to turn an ordinary event into extreme suspense; he places a Christmas Tree with all its trimmings in the midst of a thundering shootout, and through meticulous editing by Alan Baumgarten and James Herbert, the popping of bullets in effective slow-motion is intercut with smashing baubles. Another unforgettable moment in the film is when O'Mara bursts into his house to find out what happened to his heavily pregnant wife after the mobsters riddled their house with bullets. In the tradition of classic shootouts like Arthur Penn's Bonnie and Clyde, Brian de Palma's The Untouchables, Francis Ford Coppola's The Godfather, and Sam Peckinpah's The Wild Bunch Fleischer pays respectful homage with Gangster Squad; the bloody deaths are voluptuous, shocking and poetic. Flawlessly lensed by Australian-born Dion Beebee, who studied in South Africa before moving abroad, the stylistic Film Noir approach, combined with a contemporary digital format, adds texture and ambiance to the period and gives the film a believable and authentic constructed realism. Beebee's 'nourish' lensing perfectly captures the conflicted lives of men imprisoned by greed and caught between the wholesomeness of family and decadence of corruption. From its shocking opening scene to its illuminating finale, Fleischer and his creative team immerse the audience into the reality of Los Angeles in the late forties. The reality allows for a real connection between the violence, compassion and camaraderie. Gangster Squad is also not just a film about violence, but a powerful statement of how crime and gangs can tear the fabric of family and society to shreds. Fleischer shows that violence in film can be graceful, and its poetic justice underlines the cruel and malicious nature of human beings and their intentional or inadvertent actions. If you enjoy crime films and human dramas with bite and aptitude, Gangster Squad provides ideal escapism into the past, allowing a harrowing story of corruption and evil to resonate and reflect our contemporary crime ridden cities. <less> |