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Plot: A concert documentary of Led Zeppelin's December 10, 2007 tribute performance for Atlantic Records founder Ahmet Ertegun. Runtime: 124 mins Release Date: 31 Dec 2011
Just returned from seeing Led Zepplin's celebration day at Hammersmith Odeon. The film is simply phenomenal, the sound out of this world. Thank you to all involved for blowing the mind of a man who thought he'd seen and heard it all. Thank you to Robert Plant, Jimmy Page and John Paul Jones for showing up to introduce the film. Will definitely be going again and again to see this one. Visually the camera work and editing leaves nothing to be desired although I wouldn't have used those square CGI's; they were an unnecessary distraction. The film is emotionally charged right out <more>
the gate and caused my eyes to well up through the first two songs. Throughout the film I sat with my hands together as if in prayer, my body occasionally moving in time.The sound mix is near perfect, I wouldn't change a thing although there was one song I would revisit where the guitar was noticeably lowered to accommodate Robert, this could be more subtle. I'd have to see it again to be sure though Actually the mix is perfect. It is brilliantly thought through with incredible attention paid to the emotional value of Led Zeppelin. My hat is off to all involved, you should all be tremendously proud of creating a master piece which will, for all time, set in celluloid the legend of Led Zeppelin.
The previous reviewers have summed up this film perfectly - this was an amazing experience to see Led Zeppelin performing circa 2007 at the O2 Arena in London. The band themselves do not stray from a very tight pattern on stage, but that keeps you close to the music and the performances - yes they have aged, but they still keep it together perfectly. Director Dick Carruthers lets the music do the talking, and while the editing is tight, the camera concentrates on the band, rarely focusing on the audience. Absolutely fantastic. If you've missed them on the big screen, then seek this out on <more>
Bluray and DVD in November - you will not be disappointed if you love Zep. The best concert film in a long time.
A wonderful document of a great show. (by paulcashmere)
Plenty of highlights, and like most of their output, has a way of growing on you to an almost uncomfortable degree taking you on a miniature journey. As a rock audience, we've practically seen it all: multiple camera angles, audience noise, high-speed editing, close-ups, cameras in clear plastic balls, helicopter shots from above, giant video screens, wide angle shots, 3-D effects, and even fan-held cameras on the loose. After so many years of technological leaps and bounds finding their way to the big screen, it's downright hard to bring anything new or innovative to this medium.In <more>
this concert film we see what we need to see – the concert. And probably all the things that I wanted to see were up close and personal. This includes close-ups of Jimmy Page playing his classic sunburst Les Paul at just the right times, John Paul Jones' fretless bass and Page's skillful slide guitar playing during "In My Time of Dying," Jones' use of the rare 12-string bass during "Trampled Under Foot" and Page's use of the Transperformance guitar during "Whole Lotta Love." Awesome percussion by Jason Bonham throughout and Robert Plant's vocals hold up well. And those were just the technical/musical close-ups of real value. Add in the human emotion of Jones, Page and drummer Jason Bonham looking at each other, nodding and smiling when they were locked in to a tight groove. Not a dull moment, completely engrossing all the way through.This is definitely a film that is a must see.
On December 10th 2007 the seemingly impossible happened. Zed Zeppelin, the world's original super group and one of the few bands in history who could rival The Beatles for fame and popularity at their height, reformed for a one off concert at London's O2 Arena for the Ahmet Ertegun Tribute Concert. The show set a world record for ticket demand with over twenty million people including myself registering online for a chance of one of the 20,000 tickets. Like close to twenty million others I didn't get a ticket for a show that myself and other fans had been waiting for, for over <more>
twenty five years.Fast forward nearly five years to October 17th 2012 and the concert was screened for one day worldwide in cinemas ahead of a DVD and Blu Ray release on November 19th. This time demand wasn't so high and I managed to get two tickets for a screening at my local multiplex. While in no way the same as seeing the band, my favourite of all time, live, the two hours I sat in the cinema were amazing. The band showed that despite having barely played together in thirty years and missing original drummer John Bonham whose death in 1980 was the trigger for the band's breakup, that they are still able to rock with the best and sounded close to as good as they have on any other live recording I've seen.One of the problems with seeing a band like Led Zeppelin at the cinema is that it isn't the sort of environment that you can really relax, sing,air guitar or dance in. It was a little awkward at times as a few people bobbed heads or tapped feet. I didn't feel as though I could properly enjoy the show in that environment and think that it is probably better suited to DVD. I had to resist the urge to sing and clap which isn't the most relaxing thing.Before I go any further I have to make it clear that I may be biased in my review of this concert film as Led Zeppelin is my favourite band. Even so and trying to be as objective as possible, they put on one hell of a show. The film is shot in a fairly conventional manner with close-ups of faces, instruments and the like, spliced with wide shots and some nice super 8 style camera work which is reminiscent of the likes of The Song Remains the Same and the Led Zeppelin DVD. The old looking footage gives a 70s vibe which obviously matches the music. For the most part the camera-work is crisp and looks great in HD. There are plenty of interesting angles and cuts too which add to the visual enjoyment. Unlike Scorsese's Rolling Stones film Shine a Light which seemed to spend as much time on the audience as the band, Celebration Day focuses almost solely on the on stage action with just a couple of cut aways to the audience.Musically the band sound incredibly tight. The three surviving members last performed together in 1988 and this was their first full length concert since John Bonham's death. Age and time coupled with a falling out between bassist John Paul Jones and singer Robert Plant and guitarist Jimmy Page appears to have had little effect as the band sound great. Robert Plant's voice is almost indistinguishable from his 1970s self save for a few missed high notes. Jimmy Page is still one of the greatest guitarists of all time and played the concert despite breaking his little finger just a month before the show. John Paul Jones, always the quietest member of the group and the one who seems least at ease on stage played incredibly well on both bass and keyboards. Drummer Jason Bonham, son of John was excellent and has all the ferocity of his father. He slotted straight in despite this being the first gig he'd played with the full band. Not a bad debut gig! It was nice to witness the genuine looks of pride and glee on the faces of the original members as the looked a Bonham Jnr playing his father's parts.In their eleven year existence Led Zeppelin created some of the most iconic rock music in history with the likes of Whole Lotta Love, Kashmir, Rock and Roll and Dazed and Confused amongst the most popular and enduring songs in rock history. Stairway to Heaven of course transcends even those songs and is frequently voted the most popular song of all time, rock or otherwise. As well as the stalwarts like Kashmir and Stairway the band also perform some of my personal favourites such as No Quarter, Misty Mountain Hop and Trampled Underfoot, a song that always reminds me of my dad. For Your Life is also performed on stage for the first time ever but unfortunately there is no space for more of my favourites such as Communication Breakdown, When the Levee Breaks, Heartbreaker, The Immigrant Song, Gallows Pole or Ramble On. The problem with having such an extensive back catalogue is that there will always be songs that are missed but there could be few arguments that the chosen set was anything but spectacular.Overall Celebration Day is the sort of thing which is probably more enjoyable at home where you can sit back, enjoy a drink or a smoke and properly rock out to the music. Even so I really enjoyed seeing my favourite band on the big screen and would recommend the forthcoming DVD to hard line fans as well as anyone who just thinks that Zeppelin are some old band what sang that long song. There's enough to satisfy fans and newcomers alike.www.attheback.blogspot.com
They can still rock.I was skeptical of the idea of a reunion concert, but this more than met my expectations for the DVD. I wish I'd been at the concert--my last chance. I was too young to drive to the arena in the 70s; now I'll never see them live. This DVD is going to be as good as it gets and it's good, better than good. Robert Plant's signing is slightly different but just as interesting, Jimmy Page is still passionate and technically amazing, John Paul Jones is still the consummate professional and Jason Bonham is a lot of fun to watch and listen to.The concert was <more>
supposed to be a tribute to Ahmet Ertegun but it's obvious it also had other meanings to the band members. There's a moment during a break when Page leans over to ruffle the non-existent hair on Jason Bonham's head and I couldn't help thinking that maybe this concert extinguishes any lingering bad karma over John Bonham's death. All I know is that I fell in love with Led Zeppelin all over again this past year, with the attention they've been getting making me listen to and appreciate their music again, with a more seasoned ear and an appreciation of how unique they were and their lasting impact.
I knew Robert when he was in his original Band of Joy I went to school with Chris Brown the keyboard player . He was as charismatic when he was a nobody as he was in LZ and since. He filled any room he entered. He was always going to be a star. A great blues singer and performer he was made to front a great band - that WAS The Band of Joy. When they broke up and he ended up in LZ I was disappointed. I never really liked Page's electric guitar work though his riffs and acoustic playing were exemplary. JPJ was almost invisible in the Zep albums - the production could have been so much <more>
better. He is a wonderful musician. The Celebration Day concert was great, though, although Page's lead guitar work grated rather, he should stick to chords. I think it showed why the band was so successful and managed not to be a pale shadow of what they once were. Jason Bonham was every bit as good as his dad was - I first saw him play when he was about 7 or 8!! Nothing was lost from the drumming. The guys can be proud of themselves - thanks Robert for not agreeing to reform - a sensible and cool decision.
Led Zeppelin and Double Bass.. arghh (by alpha-sean)
This is more of a technical review on each musician rather than of the concert as whole as there are enough of those already.Robert Plant Well he did a remarkable job considering it was almost 40 years ago that he recorded the most well know Led Zeppelin tracks. His voice with its age can't hit the high notes anymore and he changed the articulation in several songs as he may just not have the muscle memory of what they used to sound like.Jimmy Page Not sure if it was his finger or just age but he was struggling to keep up to tempo on several songs. His fingers were not as nimble along the <more>
fret board as they used to and thus there was not the resonance from the guitar parts that is in example on other live Led Zeppelin titles like Song remains the same or How the west was won.John Paul Jones By far the standout from this performance. The tone and sound he gets from the bass guitar is amazing for a guy over 60. Maybe the road fitness he would have built up touring with Them Crocked Vultures a few years back is part of it but from the first song till last when he has a bass in his hands he fills out the whole bottom end of the sound beautifully. Sadly I found his keyboard a little, rushed maybe. No quarter which should have been a highlight for me kind of just came and went for me.Jason Bonham Well he had massive shoes to fill and sadly it was his feet that let him down. I have no idea why he chose to use a double bass peddle but it was the wrong way to go. Fair enough he may not have the "jack rabbit" right foot that his dad was famed for having but to just create a basic muddy sound where Led Zeppelin was known for having distinction was a massive disappointment. From the opening of Good times Bad times, he was on song with everything above the waste but as a drummer he missed the bass drum parts by a long mark. I also found the choice of Zildjian cymbals a little surprising as they have no where near the cut through and volume that the old Paiste giant beats that his dad used had. I know he is sponsored by Zildjian but seriously this was Led Zeppelin.The overall sound mix I also found a little guitar heavy, but then the same problem happened when Song remains the same was remastered for DVD release. I think Jimmy Page kind of went, make me louder :POverall an awesome show and I can't wait for the blue ray so I can listen properly without the echo that a cinema brings.
It's hard to find fault with "Celebration Day", Dick Carruthers's document of Led Zeppelin's reunion concert on December 10, 2007. Jimmy Page, Robert Plant, John Paul Jones and Jason Bonham play just about every song you'd expect to hear unless you were counting on a selection from Zep's final studio album "In Through the Out Door" , from 'Stairway to Heaven' to 'Whole Lotta Love', and even manage a deft first-time live rendition of 'For Your Life'. There are a few shaky moments but, to the band's credit, these were not <more>
corrected with overdubs; for the majority of the two-hour show, everybody's in top form. By the time they launch into 'Kashmir', Led Zeppelin are firing on all cylinders, and the grandeur of their performance is such that the 27 years which had elapsed between the group's last full-length concert and this one simply evaporate. It's a stunning moment to witness, even for those of us who weren't there in person. My only beef with "Celebration Day" is that the bass guitar is often buried in the mix: John Paul Jones's doomy intro on 'Dazed and Confused' sounds like it's coming from miles away. Jones, and the song, deserve better.