Way back in early 20th century, the Lumière brothers didn't have a clue of what they were playing with. I'm freaking sure that if somebody could have magically told them that thanks to their work, a movie like 'Smiley' would have been made in the future, they both would have died all of a sudden, shocked by the consequences of their labor, like an honest scientist would if he was shown an evil use of his research. In that sense, but in the best way imaginable, 'Smiley' is an atom bomb.'Smiley' is the only perfect movie in the history of cinema. Of course, this <more> could be debatable, but of all the films I've watched since I was born, this is the only one in which I haven't been able to find the slightest flaw. It gets a golden ten out of ten. Bright, solid, scary and massive.Yes, I could go on with a panegyric, but I'll try to be short and accurate:The direction is just perfect. Every shot is marvelous, every movement of the camera is breathtaking. There is absolutely nothing you could add or subtract. Touch it, and you spoil it. Seriously.The acting is splendid. The performances build a credible world.The script is a work of art, the story is mesmerizing, well-constructed, well-developed, and free of absurd twists. Its simplicity and effectiveness are yet to be matched.The atmosphere is pure genius. The use of light and dark is beyond description, the use of sound is as creepy as it gets.The FX are the best possible. Some scenes were stomach churning.The tagline. "I did it for the lulz". THIS is a tagline. The lulz, do it for them. And, of course... the killer. Its design is the most innovative I've seen. It will spawn dozens of disgraceful imitations. This is the real deal. Not only the look, but the complete design of killer. What more could you possibly want? This is how a movie is done.This movie will go down in history as the amount of collectively well remembered scenes. Well, 'Smiley' has so many that I won't go into it. This movie contains so many iconic scenes that it will become an icon itself.So, what else? I urge all directors to watch this movie a zillion times, as I've already done, and take notes all along. But not in order to rip off from it, as many others will do, but to learn, learn, learn, learn and learn how a movie should be done. 'Casablanca'? You must be joking.Anonymous, you did it again. <less> |